Category Archives: Culture

Healing and the Healing Pole at Glacier National Park

Exactly two years after the Tribal House dedication in Glacier Bay National Park, five boats full of tribal members from Hoonah floated  to the dock in Bartlett Cove at the entrance of the Park.  Inside of Bartlett Cove a light rain fell and fog rolled through the trees – normal conditions for the homeland of the Huna Tlingit. The approximately 30 students on the boat departed in full red, black, and blue regalia with drums pounding.  They  were there to participate in the raising of a new totem, the Healing Pole, to recognize the reconciliation between the Park and Tribe in the last decade-and-a-half.

Glacier Bay National Park, Tlingit, Hoonah, Totem Pole, Tribal House

Glacier Bay National Park, Tlingit, Hoonah, Totem Pole, Tribal House
Students lead the walk into Bartlett Cove with song.

The students danced past the awaiting attendees at Bartlett Cove and to the beach. These songs were to welcome the people at the Park and those still arriving by water. They waited silently as the 42-foot dugout canoes were paddled in carrying elders, tribal members, and members of the National Park Service. Once the canoes disembarked all dignitaries werevon shore the rest of the ceremony commenced.

The canoes arrived on the shores of Bartlett Cove delivering elders, community members, and Park Service employees.
Randy Roberts, Hoonah Resident and National Park Service Employee, welcomes to the canoes.

The Healing Pole

In 2017, traditional carvers Gordon Greenwald, Herb Sheakley, Owen James, and Randy Roberts began to carve a new totem. The pole’s goal  was to tell the story of the relationship between the National Park Service and Huna Tlingit. Much of that story is difficult to tell as the Park (and the preceding National Monument) was responsible for keeping the people of Huna from harvesting their traditional foods within the park boundary since the year 1925 and into the present.

Healing Pole, Glacier Bay National Park, Hoonah, Tlingit, National Park Service
The healing pole carvers were charged with a difficult task : tell the story of the Huna Tlingit and Park Service.

The Pole Arrives

It takes a community to move a pole. On this day its weight was born by Tribal members and Park Service employees symbolizing the relationship between the two. Step by step it was moved to lay next to its final location at the entrance of Bartlett Cove.

Healing Pole, Glacier National Park, Alaska, Huna Tlingit, Hoonah Indian Association

The Friend Who Has No Eyes. No Spirit. Sheds No Tears. Has too Many Hands.

Gordon Greenwald, dressed in woven cedar hat and vivid regalia, stood in front of an expectant audience to talk about the story conveyed in the totem. The story was laid out from the bottom to the top. Fish, seagull eggs, devils club, and halibut demonstrated that Glacier Bay was the food basket of the Huna Tlingit. However, 250 years ago as the glacier surged forward and destroyed the villages in Glacier Bay  the pole showed how people got in their canoes and scattered to new settlements. A lock and chain nailed to the totem above canoes showed that by the time the glacier receded the U.S. Government had converted Glacier Bay into a National Monument and barred them from using their homelands in the traditional fashion. Even more ominous  was the blank, colorless, eyeless face above the lock and chain. Gordon explained, “Then came the friend you have that has no eyes. The friend you have that has no spirit. The friend you have that sheds no tears. The friend you have that has too many hands. The U.S. Government”.  Waves in the totem show that the metaphorical waters of Glacier Bay were turbulent for years, but footprints above the waves demonstrated that “we walk in the footprints of our grandparents and ancestors” and those footprints eventually led to the Tribal House that crowned the pole.

Gordon Greenwald explains the meaning of the carvings and story of the Healing Pole.

The Healing Pole was much different than the clan poles erected in front of the Tribal House as it incorporated traditional formline and modern carvings. The addition of the chain and lock provided a powerful, although non-traditional twist to the message of the pole.

Up It Goes

In due time it was time for the totem to be raised. The students sang traditional songs and audience members raised their hands to dance. Within 20 minutes the enormous pole was proudly displayed for all to admire and know the story it held.

The Process of Healing

As part of the healing process Hoonah Indian Association and Tribal members created matching robes to be given to the the Superintendent of the park and President of the Tribe. Receiving the robe, Park Superintendent Phillip Hooge hugged Julie Jackson and Darlene See warmly with tears in his eyes. His open emotions brought a smile to my face because it demonstrated the barriers that were being broken down. This was not just a stiff, formal presentation, it was a truly significant and meaningful transaction.

Phillip Hooge, Glacier Bay, Robe, Hoonah Tlingit
Park Superintendent Phillip Hooge receives a traditional robe created by the Hoonah People.
Hoonah Indian Association President Frank Wright Jr. receives a matching robe.

Dancing Together

With the formalities done outside it was time to go inside the Tribal house for stories and to dance and sing. Students let the procession and songs within the Tribal House. The emphasis on students during the event was heartwarming – it was done acknowledging the future leaders of the Huna Tlingit and their need to recognize, know, and participate in their culture.

Elders share the stories of their people in Glacier Bay with all present.

Students, Youth, Tlinigt, Hoonah

A student hangs onto their drum between songs in the Tribal House.

For me, the most powerful moment came when Park Service employees were invited to the dance floor. The dance began with  institution leaders Phillip Hooge and Frank Wright Jr. As it progressed more and more people joined the throng. The moment was powerful – it was not that many years ago that such a blend of backgrounds, views, disciplines, and culture would have seemed impossible. As the dance tapered away it was obvious that spectators were as invigorated by it as the participants.

Dance, Park Service, Healing Pole, Hoonah Tlinight
Tribal members and Park Employees dance together in the Tribal house of the Huna Tlingit.

Dance, Park Service, Healing Pole, Hoonah Tlinight

Dance, Park Service, Healing Pole, Hoonah Tlinight
Park Superintendent Phillip Hooge and HIA President Frank Wright Jr. dance together in the Tribal house of the Huna Tlingit.

The Healing Pole Ceremony is another chapter in the annals of history for the Huna Tlingit and the Park Service. The growth and relationships developed through the Tribal House, Clan Poles, and now the Healing Pole will need to be nourished to continue the healing and progress that is needed for the people of Hoonah.  The fact that all around people acknowledged the need for that nourishment makes me feel hopeful for the future.

As a non-native spectator it was a privilege to be at this event. It was especially nice to have the context of the previous two events and my  knowledge of working for the Tribe to help set the story. I am honestly pretty shocked by the openness of emotion showed from both sides – the plight and longing to actively use their homeland was evident through the stories of Elders and Tribal members. The acknowledgement of the damages done and the willingness to make good as the Government System allows could be seen in the Park Service employees. Because of the event’s blend of traditional and modern values, it continues to show the resilience of the Hoonah Tlingit – their ability to adapt will has and will ensure their culture is alive and well into the future.

Top Shots 2017

2017 is officially in the books and it has been a tremendous year! Thank you to all who follow along on this blog or at www.facebook.com/ianlww! Your engagement in my work has been amazing! Your support is one of reasons  the reasons that I stay out late shooting the Aurora Borealis and get in front of bears with my camera. This gallery is features my  “Best of Photography 2017” and I hope you enjoy. I’m looking forward to bringing you more in 2018!

Cheers,

Ian

For The Past and For the Future : Xunaa Shuká Hít

When the citizens of Hoonah, Alaska and surrounding Southeast communities arrived at Bartlett Cove in Glacier Bay National Park during the morning of August 25th, 2016, it was a homecoming over 250 years in the making. The powerful events of the day were the culmination of nearly two decades of collaboration between Hoonah Indian Association and the National Park Service which helped heal the past and prepare for the future.

Glacier Bay National Park is the traditional homeland of the Huna Tlingit. In the early 1700’s, Sit’k’i T’ooch’ (“Little Black Glacier”) in Glacier Bay National Park surged forward and pushed the Huna Tlingit from their homeland by destroying their settlements, including L’eiwshaa Shakee Aan. This forced the Huna Tlingit out of their homeland and they eventually settled in Xunniyaa (“Sheltered from the North Wind”) which is today known as Hoonah.  Eventually the glacier receded and the Huna Tlingit began to hunt, fish and gather in Bartlett Cove where there had once been ice. However, in 1925 the establishment of Glacier Bay National Monument and regulations that followed ultimately led to a strained relationship between the people of Hoonah and the National Park Service. This was coupled with ongoing cultural loss due to integration into Western society.  Through a tragic portion of American and Tlingit history much of the language and culture was lots due to repression. Fortunately in recent years patience and collaboration with the NPS has led to development of many program that have helped to strengthen the relationship and served to bring back traditional activities in the park boundaries. In 1995 the concept of a tribal house in the Park was first suggested and the dedication of Xunaa Shuká Hít on August 25th brought that dream to reality.

Entering the Park

The ride over to Bartlett Cove was marked by a Fire Bowl Ceremony symbolizing “feeding the ancestors” and remembering those who were no longer with us. This somber entrance was a reminder to me that this day was not only about going forward for the future, but also to commemorate and embrace those not able to see the day  themselves. After the ceremony we continued to the shores of Barlett Cove and walked up to the Tribal House site.

To begin the ceremonies in Bartlett Cove the traditional donning of regalia commenced. Following tradition the opposite moeity members dressed each other while stating “this is not me placing this on you, but __________”, filling in the name of an ancestor. The regalia marked the clan that each was from with incredible artistry and color. The oldest robe was over 100 years old and its faded colors stood in stark contrast to the vibrant new shawls, but was no less incredible to see.

When entering the park we stopped to remember those who are no longer with us, but entering in spirit.
When entering the park we stopped to remember those who are no longer with us, but entering in spirit.

Canoe Landing Ceremony

After donning regalia hundreds of people walked down to the beach of Bartlett Cove and lit a welcome fire for the canoes.  As I mentioned in my previous article, these hand-carved dugouts were commissioned for the entrance into the park and their emergence from the far shore was remarkable to watch. The heavy fog of the morning shrouded Bartlett Cove in a thick haze, and  by squinting you could see the canoes appear through the curtain of fog. Custom-carved and painted paddles dipped seamlessly into the flat water and the three, vibrant-red boats glided closer to us. On the shore, many members of the community and kids from school were dressed in traditional colors, robes, tunics, and headbands. They stood on the shore waiting expectantly and with anticipation. The canoers approached with their paddle blades raised in the air to signify they came in peace. As the bow of the canoe slide onto shore and the first feet set onto the beach drums broke out, and with paddle blades raised the pullers danced while the throngs of people and brilliant color swayed to the music. As the songs receded the canoe was hoisted onto many shoulders and brought to the Tribal House. A beautiful, hand-woven Chilkat Robe was presented to Master Carver Wayne Price. He was the first of many to wear the robe to celebrate canoe journeys as the robe will travel to future events which include canoe journeys.

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Each paddle was hand carved and painted and tells something about its paddler.
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A stack of colorful, hand-carved paddles that delivered the canoes to the Tribal House.
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A stack of colorful, hand-carved paddles that delivered the canoes to the Tribal House.
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A stack of colorful, hand-carved paddles that delivered the canoes to the Tribal House.
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An ornate and vibrant paddle leaning against the tribal house at Bartlett Cove.

Tree Ceremony

Without the correct process the dedication of the tribal house would not be complete. Per tradition, the tree ceremony acknowledged the resources that were required to make the tribal house and canoes. Without the yellow cedar and spruce nothing would have been possible.

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Giving thanks to the trees during the tree ceremony.
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Giving thanks to the trees during the tree ceremony.

Screen Ceremony/Naming Ceremony

All of the artwork in the Tribal Households symbolize stories that are just waiting to be told to be told. During the screen ceremony the clan leaders described the exterior screen of the Tribal House to let the people know what the design symbolized. Finally the name of the Tribal House was announced and breathed life into the Tribal House. Xunaa Shuká Hít. The crowd repeated it three times and it gave me goosebumps. The name approximately translates to “Huna Ancestors House’”. It could not be a more fitting name for a building made to tell the story of the past and prepare for new generations.

It was a privilege to walk into Xunaa Shuká Hít with the Tlingit People. The inside smelled of fresh cedar and spruce, and throngs of people packed around the edges to leave room in the middle for the elders. Each clan leader began to tell the story of their clan as expressed on the interior house screen and house poles. Their stories mingled with the low murmur of the crowd. As they concluded the drums started to pound and the dancing began. The sound made the walls of the tribal house throb and pound. It was a joyous end to a dramatic and memorable day.

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The screen ceremony and naming ceremony was led by the clan elders.
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The pounding, thumping, joyful dance of the Huna Tlingit in their tribal house.

Regalia

For me one of the most incredible pieces of the dedication was the art and colors of traditional Tlingit ceremonial clothing. Many of these pieces of regalia are only exhibited during special events. The blankets and robes depict clan crests which are images that document a significant event in a clan’s history and stake claim to a particular bit of territory. An example of this may be seen in the Chookaneidi regalia. In it, the octopus design is meant to memorialize an event in which two Chookaneidi men gave their lives to defend the community against a giant octopus. The crest then stakes the Chookaneidi claim to the Inian Islands where the event occurred.

The Future of Xunaa Shuká Hít

The tribal house dedication is only the beginning of a greater and better relationship between Glacier Bay National Park and the people of Hoonah. This photograph of Tribal President Frank Wright shaking hands with NPS Superintendent Philip Hooge says a lot about a relationship that is starting to bud and provides hope that future trips to Xunaa Shuká Hít will continue to remember the past while preparing for the future.

 

Phil Hodges and Frank Wright shake hands after receiving the NPS Directors award for collaboration.
Philip Hooge and Frank Wright shake hands after receiving the NPS Directors award for collaboration.

Special thanks to Mary Beth Moss of the National Park Service for her review of this article.

The Tlingit Cultural Heritage of Hoonah, Alaska

Since I arrived in Hoonah, Alaska in March I have been thrilled and privileged to  experience the beauty of Tlingit culture and the dedication of those creating traditional art. The constant, thudding-pulse of adzes sticking into wood have resonated outside of my office. Each swing by the carver has pulled a woodchip from a 45 foot long, 3 – foot diameter spruce log. Two of these logs are being carved into traditional dugout canoes. In a separate area, two 45-foot long facades, and four totem polls telling the oral history of the Tlingit were being painstakingly carves by hand. Each bead of sweat, aching muscle, and hour of lost sleep were in preparation of the re-entrance of the Huna Tlingit to their traditional homeland in Glacier Bay National Park which occurred on August 25th, 2016.

Canoe

The commissioning of two, 40+ foot dugout canoes resulted in the largest, traditional dugout canoes in Southeast Alaska. The effort was lead by Master Carver Wayne Price, and after nearly a year of carving by a slew of volunteers, the final boats are incredible to behold. The process starts by flattening the top of the spruce log. From there the wood is pulled out of the center resulting in a hollow, log with curved edges. The log is steamed  by heating volcanic pumice found near Hoonah and placing it in the canoe which is filled with water. Like a rib-spreader, the cavity of the canoe is opened up little by little by wedging in longer boards. Incredibly, the first canoe started with beams at 39 inches and expanded to 69 inches! The tree was able to accommodate 30 inches of new space. Once spread the canoes were given a modern touch with fiberglass and paint. The painting style follows the traditions of the Tlingit people. Each canoe was outfitted with a sail that in the right conditions can push the large vessel up to 8 miles per hour.

The first time the canoe went into the water was a very powerful moment. Flat conditions greeted the paddlers, and as they moved out near a couple of miles near Cannery Point two sea otters fed in the kelp bed. The 42-foot dugout was accompanied by two smaller dugouts and the paddlers inside worked in unison to make the canoe glide through the water with surprising speed. As they rounded Cannery Point, it is likely they were the first to do so in a dugout in several decades or more. The first journey was a landmark moment for the carvers and the community and set the determination for the second canoe to be finished in time for the Tribal House dedication. I was fortunate enough to witness the canoe on the waters several more times during training sessions; its red sail was striking against the often gray conditions of Port Frederick! The legacy of these canoes will live on for decades to come.

Tribal House Screens

The Tribal House being built in Glacier Bay National Park at Bartlett Cove will be built in the traditions of Huna Tlingit Clan Houses, but is different as each of the four clans will be represented in the structure. Historically, Clan’s each had their own house. This presented a unique challenge for Master Carver Gordon Greenwald. It was necessary for him to design the “screens” of the front building facade and inside to tell the history of the four clans (T’akdeintaan, Wooshkeetan, Chookanedi, Kaagwaantaan). By listening to the elders a couple of days he drew the design for the screens and house-post totem poles. As he told me the story of the meaning of one of the screens, I was astounded by the information the artistry held. The intricacies of the hand carves wood brought the stories to life and were part of the reason it took five years for the work to be completed.

The story in the screen is complex, and represented by small and intricate details in the carving. My account here should in no way considered to be complete. Rather, I hope it gives you insight into the deep meaning of these powerful works.  There were originally 4 clans that settled in Glacier Bay. They came from Lituya Bay (on the left side of the panel) where their was a glacier. In the panel, you can see the spirt of the glacier. However, in Lituya Bay, there was a large tsunami (scientists now know it reached 1,400 ft) that washed a large and very dangerous rock out the mouth of the bay. It allowed for safer travel in and out of the bay. The people of of Lituya bay are still anchored in Lituya Bay even though they now live in Mount Fairweather. In the panel you can see the canoe anchored in Lituya Bay and the spirit of Fairweather Mountain symbolizing that. The people of Glacier Bay were very used to icebergs in Icy Straits, and around the panel the spirits of the icebergs are predominant – however each carved spirit is different as no iceberg is the same as the next. In the center of the panel is the spirit of the Glacier. It is that glacier that pushed the Tlingit people from Glacier Bay 200+ years ago when a girl called the glacier towards them by throwing out fish bones – she called it to them as you would call a dog. In the panel, you can see the glacier reflected in the girl’s eyes. Even though they were pushed out by the glacier, there are others still anchored in Glacier Bay. Both Porpoise and Octopus are still anchored in Glacier Bay.  Wolf and brown bear are still anchored in their homeland. The panels also indicates the importance of the marbled murrelets when the Tlingit lived in the mountains during the great floods. Finally, at the top of the panel is a canoe with no crest or design. It represents every else who are welcome to join the Huna Tlingit in Glacier Bay – the paddles are raised to signify friendship. It shows they have nothing to hide.

The enormous size of these panels is hard to represent in a photograph. Each facade is constructed from a single (!!!) yellow cedar planks. They stretch 18×45 feet.

The time that I’ve spent with the carvers and learning about these incredible projects has helped provide a connection to a community and a culture. I hope in the years to come that I continue to understand more fully the meaning hidden in their incredible artwork.

Culture and Herring Eggs

Even though I am a brand new member of the the community, I heard the buzz and the word on the street : the herring eggs would be arriving from Sitka soon on the Shirley N. Hoonah is strongly tied to the forage of the ocean; many are dependent on the resources it provides for subsistence and cultural identity. After a long winter, the herring egg harvest is a sign of spring and welcome source of protein.  The Shirly N. arrived at 5 PM and the sun started to break through the clouds. From her hold containing thousands of pounds of fresh eggs came the first loads of branches laden with herring eggs. They were loaded into the back of waiting four-wheelers and brought to the elders in the community. The smiles on everyone’s face was infectious and the importance of the event was obvious! I was excited to take part the traditional herring egg harvest and learn about the significance of the resource to the people of Hoonah.

When herring spawn, their eggs attach firmly to strands of kelp and other structure in the water. Traditional harvesters use this to their advantage and strategically lay bows of hemlock in the water to collect the eggs so that they will stick to the branches. Timing is everything, and often the peak of the spawn may be detected by the color of the water which is turned white from the spawn of countless herring.  Once collected the  eggs may be used in salads, boiled, pickled, frozen, dried for future uses, or many other purposes. I personally enjoyed them parboiled with a side of rice and a slab of fresh king salmon. I found their texture to be excellent – like small kernels of corn popping in your mouth. They tasted salty and fresh, and now I know they are a sign of spring.

Herring Eggs are brought from the hold.

Herring Eggs are brought from the hold.

My small take of herring eggs in front of the Shirley N.
My small take of herring eggs in front of the Shirley N.
A large batch of herring eggs coming over board.
A large batch of herring eggs coming over board.
A hemlock branch laden with herring eggs!
A hemlock branch laden with herring eggs!
This hemlock branch has an amazing amount of eggs.
This hemlock branch has an amazing amount of eggs.
The atmosphere of the arrival of herring eggs is evident in the smiles.
The atmosphere of the arrival of herring eggs is evident in the smiles.
Passing a large branch of eggs.
Passing a large branch of eggs.
Holding up a large branch of herring eggs to see who needs them next. a
Holding up a large branch of herring eggs to see who needs them next. a
Happiness on the dock!
Happiness on the dock!
Herring Eggs on hemlock
Herring Eggs on hemlock
Herring Eggs on hemlock
Herring Eggs on hemlock