Tag Archives: Hoonah

Feeling Grateful on an Autumn Day

Some days are destined to be better than others and due to the probability of the seasons it has a 25% chance of being a day in autumn. There is something magical to the season wrapped into the death, color, and distinct smells it manifests each year. Fall mornings immerse all of your senses: the bite on your nose of frost in the morning, musk of decaying leaves, the sound or crunching leaves, and brilliant colors of foliage make the season like none other.
The magic and of the day started as soon as my eyes opened. I stepped from my bedroom to watch a subtle and beautiful sunrise over Neka Mountain and Port Frederick. As I sipped my coffee and watched from the window the warm colors of low sunlight started from the peak of Neka Mountain and progressed to its base. I smiled and thought through the possibilities of the day. The plan for the day was simple : go fishing and bring a camera.

Sunrise, Port Frederick, Hoonah, Neka Mountain
I enjoyed the sunrise over Port Frederick in Hoonah, Alaska while I sipped on a cup of coffee. You can see the autumn colors of the muskegs near the summit of the mountain

Down in the River

Eight miles out of town Spasski River held the promise of fish and bears. I strolled through a muskeg full of color. 4-leaved, 4-inch tall, Bunchberry Dogwoods had transformed into red fireworks with colors nearing a poinsettia and lingering frost framed the sharp edges of sedges and grass. I crossed out of the muskeg and descended the banks of the river passing giant sentinels of Hemlocks and Spruces. Once in the river the circular ripples in the surface of the water over my fishing hole gave hint to the presence of Cohos below. Peering in I counted fourty 40 or more fish and noted some of them had turned the dark red of the season.
After 15 minutes of fruitlessly flinging my pink fly into the school of Cohos a pair of bears showed up on the river bank. I watched as the sow and cub came closer and stepped into the open so they could see me. The cub trailed closely behind the mother and after a couple of my woops acknowledging I was there they passed into the tall grass of the river bank.

Coastal Brown Bear, Spasski, Spasski River, Icy Strait Point
A sow and cub meanered up the bank of Spasski River. This encounter gave me insight into the cub’s behavior when I observed it later.

When brown fur came into view again I had the privilege of gaining some insight into bear behavior. The cub emerged alone in the tall grass and it was evident it was very nervous. It stood on its rear feet to sniff the air and then sprinted forward in the long grass while looking back over its shoulder as though being chased by shadows. The young bear stood three more times to look and smell for its mother, but she was not to be found. Mother bears have a reputation of being helicopter parents to protect their cubs from aggressive males trying to kill them. It was evident the cub appreciated the protection of the mother and was nervous to be out of her shadow. When I left the cub and sow had not been reunited, but I was sure the sow had not left the cub as isolated as it thought.

Coastal Brown Bear, Spasski, Spasski River, Icy Strait Point
When I saw the cub next it was looking for mom. It stood up to sniff the air several times.
Coastal Brown Bear, Spasski, Spasski River, Icy Strait Point
You can almost see the worry on the cub’s face. It was looking back and forth in the search for Mom.

With the bears on my brain I decided it was best to stop fishing. I needed to be alert and was not keen on carrying Cohos out knowing the bears may interested in them too. I turned my attention to the scene in front of me. Yellow Salmon Berries reflected off the surface of the river. My eye was led down the scene to the flat top of ear mountain presided over the river. It was a special place to be and I was there to enjoy it alone.

Spasski River, Salmon Berry, Yellow, Foliage, Autumn
The colors of Salmon Berries were accented by the presiding presence of Ear Mountain above Spasski River
Spasski River, Salmon Berry, Yellow, Foliage, Autumn
I framed up the tall spruces along the bank to bring your eye into this shot of autumn colors and mountain

The American Marten

Leaving the bears I encountered the next fiercest mammal of the forests of Chichagof Island : the American Marten. I found it in the compromising position of scavenging trash, and snuck closer whenever it dropped into the green garbage can in front of me. I was about 30 feet away when it spotted me and the necessity for me to move closer was negated by the curious creature. Before long it approached me to within 10 feet and was perhaps trying to decide if I was edible. I stood stock still and it curiously twisted its head back and forth to size me up and stared my camera each time it clicked. The Marten, not totally trusting the large bi-pedal in front of it, dashed into the grass several times as though testing to see if I would pursue. Each time it poked its head up from the grass by standing on its rear feet. Finally bored or perhaps hungry it left the grinning human for good.

American Marten, Chichagof Island, Alaska, Southeast Alaska
A curious American Marten stares at me from just a few feet away.
American Marten, Chichagof Island, Alaska, Southeast Alaska
After popping out the grass several times the marten approached closely from my right side and looked directly at the camera as it snapped and clicked.

Muskegs on Fire

Throughout the day I had stopped several times to stare at and admire the incredible reds and oranges of the muskegs. Red leaves of Wild Blueberry plants transformed the floor the muskeg into fire. The read were accented by the evergreen trees sprouting from the muskeg and by the crystal clear blue skies. However, in one place the red colors were especially vibrant, rivalling the reds of the Maple trees that I grew up with in the Midwest. The beauty of that place held me there for a long time as I photographed it and felt privileged to be there.

Muskeg, Bluberry, Red, Autumn, Colors, Foliage
I was astonished by the intenstity of the red in the muskeg. Fiery reds were resplendent!
Muskeg, Bluberry, Red, Autumn, Colors, Foliage
A parting shot. Adios to autumn colors!
Muskeg, Bluberry, Red, Autumn, Colors, Foliage
The sun shines brighly over brilliant red Wild Blueberries

Transition in Suntaheen

From the fiery muskeg I descended to the quenching silence of the Suntaheen River valley. Along the river I found autumn to be in full progress. Red Alders sheltered the slow flowing river with amber leaves. The fallen leaves of those trees covered the rocky river bank like the yellow brick road. Beams of sunlight backlit trickled through the canopy and individually lit some of the fallen leaves. Groves of Devils Club along the river’s bank were turning a vibrant yellow and sunlight poked through their decaying leaves.

Devil's Club, Autumn, Color, Yellow
A Devil’s Club transitions from green to yellow.
Devil's Club, Autumn, Color, Yellow
Sunlight streams through the decaying leaf of a Devils’ Club.
Devil's Club, Autumn, Color, Yellow ,River
Suntaheen river floats lazily by rocks and shores covered in the gold of fallen leaves.
A frost-kissed Oak Fern was stripped of its green cholorphyll, and sunslight streamed through its white skeleton.

In the river I was reminded by of the salmon that had choked its waters only a month before. Scattered ribs, spines, and salmon jaws lay where the carcass had been eaten by a bear or had simply died. The bones were devoid of flesh and provided evidence the fish’s energy had already been absorbed by its sourrounding environment. Its nitrogen and energy mingled with the decaying leaves of the trees above cycling to ultimately feed to tiny fish emerging from the eggs buried in the gravel. Some days are just better than others. On this beautiful day I felt blessed to watch nature, learn something new, enjoy the transition of seasons, and observe the cycle of seasons.

Pink Salmn, Alaska, Jaw, Teeth,
A Pink Salmon’s jaw and its jutting teeth perches along the river. The river bank was littered with dozens of these jawbones from months-old dead salmon.

Life at -4.6 Feet

A couple of times every year the moon and sun align – literally – to bring about very large tides. In June this year, a full moon delivered a -4.6 tide to Hoonah, Alaska and provided a glimpse of life under the sea. Rocky shorelines were converted into tide pools full of life trapped there by the receding waters. The first time I experienced one of these monster tides was  in May 2016 right after moving to Hoonah. The joy I find in perusing the beaches and flipping rocks to see what is beneath has not diminished since that time. Thanks to Bob Armstrong’s guide, I am able to identify some of the creatures we found.

The Star Fish

Of all the animals in a tide pool, Sea Stars seem to provide the most variety to the color, textures, shapes, and sizes that have evolved in the ocean. In some places they cover every rock surface or bottoms of tide pools. They are the ever-present predator scouring for crustaceans, snails, and clams. We enjoyed looking at their colors and touching their rough (and sometimes slimy) skins.

Blood Star.
Mottled sea star
The close, rough texture of a Mottled sea star
Slime Star (species not known)
Mottle Sea Stars cover the bottom of a tide pool.

Tide Pools, Alaska, Wrinkled slime star
Wrinkled slime star

The Octopus

We found the crab shells before we found the octopus den. The tell-tale shells were only a foot or two away from a crevice containing 8 arms with quarter-sized suckers. Th octopus was so large that we could only see one arm, and wait as we might it never came out of the den. Fortunately a smaller octopus – about the size of a football- motored by us. They are intelligent and lithe creates known for their camouflage. It was amazing to watch the colors of the small octopus’s skin turn from a light pink to dark red as it moved from rock to rock and tried to blend in.  It was the first time I had watched a wild octopus! The 12″ deep water provided a window into its life below.

A crab shell let us know that an octopus den was near.

Tide Pools, Alaska,
An octopus swims by in the shallow waters of the low tide. It was a real treat to watch this animal hunt!

Crabs

Crabs are really remarkable creatures. They have adapted themselves to all areas (niches) of the inter-tidal zone in search of food. We must have found 8 or 10 different species, but some of them stood out for their uniqueness. Spines, claws, and camouflage make them fit for the niche they fill. The most bizarre was the Butterfly Crab – it is hard to imagine what its oblong shell would provide. Perhaps it camouflage?

A young king crab hangs out in the inter-tidal. Eventually this crab will descend to deeper water.
Tide Pools, Alaska, Butterfly crab
A butterfly crab was one of the most bizarre creatures I have every found! I cannot imagine why its shell needs to be shaped like that.
A Decorator Crab attaches pieces of seaweed to itself to provide almost perfect camouflage.

Bobbin’ Around Under Water

Below the inter-tidal we found this bright orange sponge. This sponge was accessible because of the low tide.

Broadbase tunicate 

A day spent looking into tide pools is time well spent! Exploration allows you to discover new things, observe new behaviors, and breath in the sea air. I look forward to the next big tide!

End Of the Rope : Disentangling a Humpback Whale

It is not every day you get to save the life a whale. In fact, it may not be more than once in a lifetime. However, I can say with certainty, that if you are able to successfully save a whale from entanglement it is the best feeling in the world. You will feel like life just cannot get much better!

On September 16th, 2018, the 35-foot landing craft, Silver Spoon, cruised through the flat waters of Chatam Strait about 30 miles south of Juneau, Alaska. The bluebird day was abnormally sunny for autumn in Southeast Alaska. On board, Captain Billy Mills was taking Kurt Pesch, Kathy Pesch, Kassie Pesch-Johnson and myself up the coast looking for wildlife. We passed False Bay on the east side of Chichagof Island and were near when Wukuklook River when we spotted a whale on the surface.

Marine Mammal Entanglement, Humpback Whale, Alaska
We spotted a whale on the surface. At first we thought the whale was sleeping, but we soon discovered it was towing a rope and buoys.

Ordinarily a whale on the surface is just a sleeping whale. In a typical encounter they wake up, swim a bit, and may eventually take a dive. However, this whale displayed some peculiar behavior by keeping its nose above the water. As we got closer we could see it was pulling a set of buoys behind it and those buoys were keeping it from diving. We watched the whale from a distance to determine the extent of entanglement. The whale never dove and was making distressed chirping sounds with its blowhole. Armed with this information Billy radioed the U.S. Coast Guard in Juneau to report the entangled whale. They collected information on the whales condition and informed NOAA, and informed us they not have any vessels in the region to reach us soon. The whale was moving quickly so the likelihood of NOAA resighting and disentangling the whale was low. Billy made the call to go about helping the whale as we could.

Marine Mammal Entanglement, Humpback Whale, Alaska
The entangled whale had the buoy line through its mouth with a hundred feet or so of line dragging on the left side and about 40 feet of line attached to the buoys. The buoys were keeping the whale from diving.

Before I start into the rest of this tale I need to put out a disclaimer. Humpback Whales and ALL marine mammals deserve your respect. You need to respect all rules regarding minimum distances from whales and we only made the decision to approach this whale after knowing that professionals were not available to help in this situation.  We felt the likelihood of the whale dying were high if we did not at least try to fix the situation.

We approached the whale slowly and encountered the loose green buoy line (the end not attached to the buoys) behind the whale about 100 feet. Using a boat hook we picked up the end and then began to pull the line into the boat. We pulled in much of the line before the whale panicked and took off. I was able to sever the line before the whale stripped it back out of the boat. Not many people can say they’ve had a whale on the line! The whale dove briefly but came back up a few hundred yards way to continue its pattern of swimming with its nose above the water. This just proved to us that the whale could not function without removing the buoys.

The whale was moving quickly, perhaps 12 knots, but we slowly came up behind it for a second approach. With boat-hook in hand our goal was to snag the buoys and complete the disentanglement. Soon I had the buoys in hand and we began to draw more line into the boat. We were fortunate! The loose end of the line began to slide through the whales mouth essentially “flossing” it. This allowed us to remove much of the line.

After pulling much of the line through the whale’s mouth something truly incredible happened. The whale stopped in the water, opened its mouth, and slid backwards into the ocean. It was almost as though it knew we were trying to save it! After sliding backwards into the water the whale began to move and pull the line. More slid through its mouth before finally catching. I severed the line and the whale gave a half breach, a flip of its fluke, and then we did not see it again. Although some of the line was left on the whale it was able to dive and stay down!! We felt confident the rest of the line would eventually get removed. We had done it!!!!

After freeing the whale from most of the line and the buoy it gave a half breach and dove beneath the surface. We did not see it again! Image credit : Kurt Pesch

One of the puzzling things was why this whale was unable to stay down. Although the four crab pot boys attached it were very buoyant, it did not seem like enough to keep the whale on the surface of the ocean. The whale was medium-sized and pretty young. My theory is that the whale acted much like a horse would to the pressure of a bridle and reigns. The upward pressure of the buoys may have kept the whale on the surface. I do not have any proof that, just a theory.

After doing some research I discovered that crab pots like the one this whale entangled in are the most commonly reported. I know I will be doing my part by being as responsible as I can with my sets. Do not use floating line as was used on this crab pot set.

There are times when doing nothing can be better for the animal than doing something. It is likely in this case that the whale would have become more entangled in the long rope and would have injured itself or been unable to swim. I am proud of us all for giving this whale a far better chance for survival!

If you find a in injured, stranded, or entangled marine animal, please report it through NOAA. You can find their number for any region by visiting their website.

The Waters, Wildlife, and Culture Between the Glaciers and Hoonah, Alaska

It is always a big deal when family comes to visit. For me, being a “big deal” is a positive thing! My wife and I are fortunate to live in a place surrounded by natural beauty with something to see or do around every corner. I always strive to show off my little corner of the world in Hoonah, Alaska  and decided that my parents, uncle, and two cousins needed to see Glacier Bay National Park and the local whales around Hoonah during their visit. It’s nice when all the right things come together to bring “the full package”! We enjoyed incredible weather and wildlife sightings over 2.5 days.

Whale Tail, Hoonah, Alaska

Glacier Bay Tribal House

Over the last 2 years I have had the incredible experience to be at the dedication of the tribal house and to take part in the raising of two totems at the tribal house. Those two events were so very important to the Huna Tlingit, but they also gave me a tremendous connection to Bartlett Cove and the land where the Huna Shuka Hit resides. When I visit the tribal house I remember the stories of the people, the emotions of the day, and the power of the place. Stepping into the tribal house to observe the house poles, place my hand on the intricate carving of the screens, and smell the sweet aroma of cedar give me a sense of peace. I enjoyed sharing my stories of the raising and dedication with family as we toured around that special place.

Glacier Bay National Park, Tribal House, Huna Shuka Hit, Totem Pole, Carving, Southeast Alaska, Alaska
This is the inside screen of Huna Shuka Hit. This place is incredible to behold and every sense has a new observation to provide your brain as you probe into it complex artistry.

Into the Park

Glacier Bay National Park is almost completely inaccessible unless you have a boat. Its long fjords and glacially-carved mountains extend nearly 90 miles from the entrance of the park at Bartlett Cove.  The “Day Boat” of Glacier Bay provides access to visitors all the way to the end of the bitter end of the west arm where Margerie Glacier butts against the ocean and the Grand Pacific Glacier (responsible for carving the fjord of the park) recedes into the distance further than the eye can see.  250 years ago the Grand Pacific Glacier was responsible for pushing the Huna Tlingit out of Glacier Bay National Park when it advanced over 75 miles in only only a few decades. Traditional stories say that at times the glacier moved as fast as a running dog! Science has backed those claims, and it is truly amazing to think what that wall of ice must have looked like!

Family, Glacier Bay National Park, Southeast Alaska, Alaska
We made it to the glacier! My mom, dad, and I in front of Magerie Glacier in Glacier Bay National Park.
Margerie Glacier, Glacier Bay National Park, Southeast Alaska, Alaska
The face of Margerie glacier stands over 200 feet high and is a mile wide. It “calves” ice into the water creating a maze of jumbled ice.

Glacier Bay National Park protected area full of marine and terrestrial wildlife. During our tour we had incredible view of breaching Humpback Whales, families of grizzlies, harems of sealions, rafts of otters, flocks of puffins, and families of goats. Each of these sightings added to the richness of the day and the overpowering feeling that we were in a very special place!

Stellar Sea Lion, Glacier Bay National Park, Southeast Alaska, Alaska
A Stellar Sealion bull chases a pup on the rocks of South Marble Island.
Porcupine, Glacier Bay National Park, Southeast Alaska, Alaska
A porcupine keeps a wary eye on me – half trusting that I meant it no harm.
Brown Bear, Glacier Bay National Park, Southeast Alaska, Alaska
A family of 4 Coastal Brown Bears surveys the scene.
Gloomy Knob, Mountain Goat, Glacier Bay National Park, Southeast Alaska, Alaska
A nanny Mountain Goat and her young (~ 2 week old) kid
Humpback Whale, Breaching, Glacier Bay National Park, Southeast Alaska, Alaska
A breaching Humpback Whale as we trekked into Glacier Bay National Park.
Sea Otter, Glacier Bay National Park, Southeast Alaska, Alaska
A Sea Otter floats on by. Sea Otters have risen to such numbers in the park that they are at risk of eating themselves out of house and home.

The Whale Tail to End the Tale

We got a pickup in Gustavus from our good friend Capt. Billy Mills of Wooshketaan Tours.  He took us across Icy Strait to Point Adolphus which is renowned for its whale watching. The rich waters are fed by the currents coming in from the ocean and from Glacier Bay and create abundant fish populations that bring in apex predators such as whales and sea lions.

Whale, Eagle, Alaska, Southeast Alaska, Whale Watching
A Humpback Whale emerges from the water with an eagle in the background.

As we sped along the 20 miles from Point Adolphus to Hoonah I admired the mountains, the tall groves of Sitka Spruce and Hemlock, and the abundant Sea Otters and Whales.  The trip went quickly, and as we approached Flynn cove about 8 miles from Hoonah a gigantic splash ahead of us flung water high in the air. The Humpback Whale that caused it obliged us by breaching 5 times in total! It was the closest I had ever been to a breaching humpback and it was a thrill to share my giddiness with all on board!

Humpback Whale, Alaska, Breaching, Jumping, Southeast Alaska, Hoonah, Whale Watching, Wooshketan Tours
A breaching Humpback Whale erupts from the water outside of Hoonah, Alaska. What a sight!!
Humpback Whale, Alaska, Breaching, Jumping, Southeast Alaska, Hoonah, Whale Watching, Wooshketan Tours
A breaching Humpback Whale erupts from the water outside of Hoonah, Alaska. What a sight!!

With the memory of the breaching still fresh in  our memory we turned into Port Frederick and after a brief stop ashore made our way up bay . The spouts of water ahead quickly gave the location of what we were looking for – a large pod of Humpback Whales were bubble net feeding in front of us! In the smooth waters we watched the circle of bubbles form on the surface from the whales below and the mouths of 40-foot humbpacks rise agape through the surface. We were the only boat on the water and got to enjoy the show in the lingering sunset and surrounded by family. I (we) were incredibly blessed to be in that incredible place together.

Humpback Whale, Alaska, Breaching, Jumping, Southeast Alaska, Hoonah, Whale Watching, Wooshketan Tours, Bubblenet Feeding
Bubble Net Feeding Humpback Whales erupt from the water in Port Frederick, Hoonah, Alaska. In the behavior, the whales coordinate an under water screen of bubbles that concentrate baitfish before the whale synchronously scoop of the ball of fish.
Humpback Whale, Alaska, Breaching, Jumping, Southeast Alaska, Hoonah, Whale Watching, Wooshketan Tours
Two Humpback Whales begin to dive in search of food.

A Night In the Aurora Photography Sandbox

Return of the Aurora

It has been a looonnnng time since the aurora forecast  has lined up with clear skies here in Hoonah, so when they finally did this weekend I wanted to make the most of it! Although I do not often focus on writing about photographic techniques on this blog, I thought I would focus on some creative photography techniques I employed and how they can expand your shooting opportunity. Read along to learn about some skills to expand your nighttime shooting (foreground composition, focus stacking, panoramas, light painting) or scroll along to check out some of the images from the night.

Aurora, Hoonah, Creative Photography, Alaska, Green, Ocean, Icy Strait, Mountains
The aurora shines bright over Icy Strait. This is a very “typical” aurora shot and I’ll focus how creative photography can get you out of this envelope.

Foreground Composition & Light Painting

Aurora, Hoonah, Creative Photography, Alaska, Green, Ocean, Icy Strait, Mountains, Icicles
These icicles amplified the aurora and provided an excellent foreground for a unique image of the Northern Lights.

When I am out photographing a scene I am forever on the hunt for interesting foreground elements. Of course the definition of word “interesting” is determined by the photographer, but I search for elements that capture the essence of the scene, amplify the impact of a phenomenon, or create a pleasing set of lines that lead the eye.  On this particular night I was drawn to a rock face that was draped in large icicles. They were translucent and I knew that I could shoot the aurora through them – they were also perfect as a piece of the scene because they provided texture to the aurora’s light and were a part of the essence and juxtaposition where the ocean meets the shore.  I call the resulting shot “Aurora Light Sabers” and am thrilled with the unique perspective it provided to the landscape and aurora.  Not all foreground elements are so well lit, so you may consider bringing a flashlight along to help paint the scene.

Modern cameras are incredibly adept at picking up light, however, moonless nights in regions with truly dark skies will still leave foreground elements black unless you use a bit of focused lighting and enhancement. Thus, the creative photography technique “Light Painting” can help you emphasize and highlight your foreground elements.

Aurora, Hoonah, Creative Photography, Alaska, Green, Ocean, Icy Strait, Mountains, Totem, Tlingit, Focus Stack, Goonz
This maquette of the Goonz pole (Hoonah, Alaska) is lit using light painting. The bright light in the background is a crabbing boat that shined its light at me as I took the image.

On this night I brought a very unique foreground element with me. This model (maquette) of the Goonz Totem Pole in Hoonah, Alaska is an exact, 18″ replica of the life-sized pole. It was used to guide the carvers as they brought the full sized pole to life and it was truly a privilege to have the maquette with me. I set the maquette up close to my camera and began to shoot, creating the illusion that a full-sized totem was in front of my camera. I used a light panel and bounced the light off the surrounding snow to softly light the totem. Without light painting, the totem would have been completely dark and blank – simply a silhouette against the sky.

Focus Stacking

You can expand your depth of field and create sharp images using a technique called focus stacking.  I am a novice at the technique and referenced this article.

One of the disadvantages of using such a small maquette is that I had to be very close to it to take the shot and make it a significant foreground element. The close object brought the stars far out of focus (as seen in the maquette image above).  To get over this hurdle, I shot multiple images of the totem at different focuses in rapid succession and then combined them in Photoshop. Through focus stacking I was able to have my cake and eat it too – I created an image with a dominant maquette in the foreground and sharp stars in the background.

Aurora, Hoonah, Creative Photography, Alaska, Green, Ocean, Icy Strait, Mountains, Totem, Tlingit, Focus Stack
This image was created with the maquette and a technique called focus stacking. Used multiple images taken in succession and and different focuses to create the final image with a sharp foreground a sharp background.
Aurora, Hoonah, Creative Photography, Alaska, Green, Ocean, Icy Strait, Mountains, Totem, Tlingit, Focus Stack
This image was created with the maquette and a technique called focus stacking. Used multiple images taken in succession and and different focuses to create the final image with a sharp foreground a sharp background.

Panorama

Aurora, Hoonah, Creative Photography, Alaska, Green, Ocean, Icy Strait, Mountains, Panorama
This panorama capture the Milky Way and the Northern Lights. It was created by stitching 6 images in Photoshop.

Often scenes are so expansive that they cannot be captured in a single image, and that is where a panorama can be very helpful.  As I stood on the beach and photographed I knew that I wanted to capture the Milky Way and the Northern Lights together (about 160 degrees field of view). I created the panorama below using 6 images and a 24mm, Sigma f/1.4. Each image is separated by 20 degrees using a rotating ballhead. I used 20 degrees because I know it provides ample overlap in the image for Photoshop to align and stitch with. You will need to change the amount of rotation depending on the length of the lens that you use. Using the panoramic technique expanded my field of view and helped me capture all of the celestial elements that I had in mind as well as the mountains of Homeshore and the mainland.

The Take Away

I am always learning new techniques and refining ones that I already know. Thinking outside of the box and on your feet during a photography session can expand your shooting opportunities during a single night. As I like to say “pixels are cheap”, so be sure to make lots of pixels as you shoot more creative photography.

A Mink in the Mussels

A few months back I was walking the shores of Hoonah, Alaska with my wife when we saw a furry brown streak shoot out of the rocks along the ocean. With smiles of pleasure we watched as the mink dove under a thick bed of green, leafy, rock weed that covered the rocks exposed by the low-tide and erupted from it a few feet from where its nose had entered. Like a swimmer diving through water it dove and emerged again and then it changed tactics. Like a cat playing with its paws inside of an empty brown bag it shuffled and flipped the weeds looking for any wriggling food underneath. I knew that the weeds hide small fish, crabs, and sea-cucumbers and any of those would have been a feast for this small mammal.

In its focused pursuit of food, the Mink payed me little regard as I moved closer. Soon I was within 10 feet of this active animal. I followed it along the shore for 50 yards enjoying  and watching its behaviors. I had not considered how many holes were in the rocks until the Mink poked its head into nearly every one of them systematically!  The Mink disappeared into a rock outcropping thick with rock weed and emerged with a sculpin as its prize. Although sculpin have heavy spines in their head, the mink crunched through the whole carcasses and even the bony head before heading to another rock outcropping to find some more.

The Mink consumes a sculpin that it scavenged from under the rock weed.

The Mink disappeared under a large bolder laced in blue mussels. I made my move and walked across the beach and stepped on top of the bolder. When the Mink reemerged it looked up and me and ducked back into the rocks. Obviously unsure if it was safe to come out but too curious to care it soon reappeared, took a glance at me, and then started to forage in the rocks under my feet. I was only 7 feet away from the lithe body as it scurried and poked and made me smile.

I’ve thought quite a bit about that Mink in the mussels since then because the opportunity was, well, opportune and I took the chance to watch and learn. In a world where everything is the next biggest priority this Mink was a reminder to stop and smell the roses. My advice to you is when you have a chance to sit, watch, and learn, take it. Whatever comes next can wait a bit.

A mink comes out of the rocks after scouting around for food. I watched this cute little bugger dive around in the rocks for almost 40 minutes.

Local Fungi to Dye For

Everyone knows that some mushrooms are edible, but did you know that certain species of fungi and lichen can create dye for yarn and other materials in every spectrum of the rainbow?  When Bessette wrote her book “The Rainbow Beneath My Feet: A Mushroom Dyers Field Guide”, she was being quite literal! I had the unique opportunity to scout for local dyeing mushrooms as part of a workshop led by SE Alaska mycologist Karen Dillman. We used the newly acquired mushrooms to dye yarn and silks. There is no doubt that I look at the forest floor with a different level of detail now! I think I may be hooked on this unique form of creating color.

All of these colors and more can be produced by mushrooms and lichens. Colors vary on species and treatment of the fungi while boiling.

A Bit of History

Natural dyes extracted from plants, minerals, and even fungi and lichens have been used for more than 5,000 years. In Europe, Karen explained that classic tweed colors in Scotland were extracted from lichens (Parmelia saxatilis). In Southeast Alaska, the bright yellow colors for Tlingit Chilkat Robes were derived from a lichen now called wolf moss. Within the United States the formalization of the process  of dyeing with mushrooms and the resulting mushroom dyeing renaissance occurred when Miriam C. Rice began experimenting with and documenting the colors that each species of fungi and lichen created. Her resulting publications have inspired countless research studies since then and a wave of newborn mushroom dyeing enthusiasts.

The Fungi and Lichens of Dyeing

Picking the right fungi or lichen for the right color is a crucial first step in producing your dyes.  Fortunately the old growth forests in Southeast Alaska are ripe with many colorful species of fungi and lichens (a side fact – there are thousands of species of fungi and about 1000 documented lichen in Southeast Alaska).  For each of the species of fungi that we dyed with during the workshop I have included the color they produce and the general region they may be found.

  • Lobaria pulmanaria – browns (Southeast Alaska), sometimes called “lungwort”
  • Lobaria oregana – browns (Southeast Alaska), sometimes called “lettuce lichen”
  • Letharia vulpina – bright yellow and green (Idaho up through the Yukon)
  • Parmelia saxatillis – apricot and rusty browns (Southeast Alaska)
  • Orsalia (Umbillicaria genus) – purples (Nova Scotia), Rock Tripe (Umbellicaria) found in Southeast Alaska can produce purples as well.
  • Hydenellum peckii – blue (Southeast Alaska)
  • Hydnellum regium – black (Southeast Alaska)
  • Phaeolus schwinitzii – golds and greens (Southeast Alaska), sometimes called the dyer’s polypore
  • Dermocybes spp. – oranges and yellows (Southeast Alaska)

Fungi and Lichen are picky about the habitats they live in. Most species strongly associate with certain plant communities,  individual species of plants, or types of food (wood, bone, sphagnum, and many other things). For each of the fungi and lichen above you can increase the efficiency of your search by understanding their ecology. Dermocybe species are found at the bases of old growth spruces and hemlocks and the Rock Tripe (Umbella caria) lichen is associated with rock faces, and often grow in the alpine. Of course, mushroom diversity differs by region, so as you are walking around take note of the locations you find your dye mushrooms and look for similar features elsewhere.

Cortinarius, Dermocybe, Dye, Red, Orange
These two species of Dermocybe mushrooms (in the Cortinarius family) are found in Southeast Alaska. One provides vibrant reds and one provides a vibrant orange.
Cortinarius, Dermocybe, Dye, Red, Orange
These are both species of Dermocybe mushrooms found outside of Hoonah, Alaska. It’s pretty obvious which one produces red and which produces orange!

The Process of Dyeing With Fungi

Dyeing with mushrooms is actually quite easy – in many ways finding the mushrooms and getting them in enough quantity to dye with can be the difficult part! The most important thing is to add equal parts fiber (yarn, silks, grass, cedar bark) and mushrooms. The amount of water will not lighten the color of your dye because the dye is attracted to the mordanted yarn, so be sure to add enough water cover your fiber.  Once the mushrooms are in the water, bring the water to a boil. As it heats you’ll immediately see the colors extruded from the mushrooms. You can boil the mushrooms for various amounts of time, and the longer you boil the more intense the colors will become. Straining the mushrooms from the dye is optional. Add the fiber to the dye and simmer the fiber for awhile – it will transform from white to bright!

Fungi Dye, Mushroom, Red
Look at the intense reds that resulted from boiling red Dermocybe mushrooms! When dying with red Dermocybe, be sure to removed their stems or you will end up with an orange dye because the stems are yellow.

When you first begin you may be uncertain of which color will come from each species of mushrooms. To save some time and precious mushrooms you can boil up a bit of water and pour it over a mushroom sample. After 10-15 minutes the color should be evident if the mushroom is useful for dyeing. To test lichens, try adding them to a bit of bleach (be sure it’s newish bleach, old will not work) to extrude the colors.  If you like the colors produced by the test you can boil up the rest of your mushrooms right away or preserve them for later by drying or freezing.

Fungi Dye, mushroom, dye, yarn
Testing your mushroom for color is as simple as pouring some boiling water into it and waiting to see what colors emerge.

In order to derive the most vibrant colors and best results, you will need a bit of luck, some patience and a small knowledge of chemistry. Several of the mushrooms and lichens that we dyed with could be modified by adding alum or iron to the water. These two minerals are preferred because they are non-toxic and can be dumped out safely after the dye is used up. Adding iron to yellow dyes will generally make them turn brown. By changing the pH with soda ash to basic water (pH 9 or 10) you can transform the colors from black to blue when dyeing with Hydnellum suaveolens.  You can keep experimenting to find new chemistry that changes the color – just be sure to closely document what you did!

Most of the fiber materials are “raw” and need to be prepared to accept the dye. You can mordant wool yarn with iron or cream of tarter to achieve different colors. However, mordant is not necessary for lichen dyes, only mushrooms!

The Results

We used the dyes that we created to stain wool yarn and silk scarves. We also experimented with chiton shells from gumboots, and spruce roots. The results were incredible and stunning! Each skein of yarn extracted from the water baths  was draped over the back of a chair to dry and added to the spectrum of color created by it is predecessors.  We were pleased to see that some of the dyes were penetrating enough to color the bone-hard chiton shells and the tough, lignin of the spruce roots. I am a novice knitter, and the incredible vibrancy of the colors produced got me thinking about my next project – whatever that may be.

Fungi Dye, Yarn, Color, Red, Blue, Purple, Orange, Brown, Gray
All of these colors were made from mushrooms and lichens that we boiled during the workshop!
Fungi Dye, Yarn, Color, Red, Blue, Purple, Orange, Brown, Gray
Each of the colors were associated with the mushrooms that they came from on this sheet.
Chiton, Dye, Fungi, Musrhoom, Dermocybe
The red Dermocybe mushrooms were able to dye bone-hard chiton shells.

Thank you to Karen Dillman for introducing these techniques to us! Also thank you to Ron Hamill for his unwavering and undoutable knowledge of fungi. Karen attempted to pass on years of learning and experiments in a short day. To learn more about dyeing with fungi and lichen check out the resource books she recommended.This unique form of creating color is a learn-by-doing process. So, I hope you get out there and do it!

These books can provide a great resource for new and advanced dyers.

Raven and Eagle Totem Raising at Xunaa Shuká Hít

Last year when  Xunaa Shuká Hít was built in Glacier Bay National Park  it was a joyous day. This incredible structure reconnected the Huna Tlingit to their traditional homeland, but it was still missing a key part of a tribal house : it’s totems to tell the stories of those within. On May 20th, 2017, the citizens of Hoonah returned again to their homeland to celebrate raising two totems in front of their tribal house.

Arriving at The Tribal House

It was a moody day with gray clouds and no wind as our catamaran pulled from the dock, sped through Port Frederick, and crossed into the expanse of Icy Strait. Each of the 130 passengers on board were familiar with the trip, and we passed all of the familiar landmarks along the way to mark our progress over the 25 miles : Hoonah Island, Flynn Cove, Eagle Point, and then Point Adolphus. Off the right side of the boat, in the distance a Humpback Whale began to breach near Pleasant Island. It rose from the water eight times in short succession before it stopped its gigantic splashing. The spectacle had the kids and adults on the boat watching out the window with exclamations of delight. The excitement of the return to Glacier Bay was growing with each mile closer and each new wonder.

There were many drums on the boat, and they started to pound and the students and travelers singing started as we approached Glacier Bay. Each drum was hand-crafted and the baton resulted in an echoing boom that filled the ship. Even in the top deck you could hear the drumming below. We reached the border of Glacier Bay National Park along with a second catamaran from Juneau. Tobacco offerings  were made to the ocean to welcome the ancestors of the Huna Tlingit, and a song that was sung expressing the sorrow of leaving the park 250 years ago as the glacier advanced was. It isn’t as often that songs of mourning are performed, and the slower drum was syncopated with a melody that easily conveyed the sorrow of departing their homeland even if I did not understand the words.

Glacier Bay, Totem Raising
The tobacco ceremony welcomes the Tlingit Ancestors back to the park.

Our catamarans crossed the park boundary, and in front of us, two, 42-foot, red dugout canoes came into view. Colorful, hand-carved paddles splashed in the water to propel the boats, and soon the canoes were between our catamarans. Each canoe’s speaker welcomed us to the homeland of the Huna Tlingit and then we were led to shore.

The hand-carved dugout canoes greet the arriving passengers from Hoonah and Juneau.

Raising A Totem

This might be an obvious statement, but totem poles are not light. Each of  poles (one of Eagle Clan and one for Raven Clan) weighed about 2,000 pounds and was carved from the trunk of a red cedar. Although some of the pole had been hollowed out, 12 feet of the pole maintained a solid core. The weight presented a couple of unique challenges – you have to be able to move it, and you have to be able to control the weight when standing it up. In order to move it, we slid poles under and 18 people stood on each side. It was truly an honor to be one of the members lined up on along the totem pole to deliver it to Xunaa Shuká Hít. We were reminded as we entered, that each one of was participating in history. We could all look back on the pictures of the day and tell our grandchildren that we were there the day the poles were raised. Thinking that to myself made my aching arms seem like much less of a burden.

With my place at the side of the totem, I was honored to be one of the bearers to the Tribal House.

Each of the poles told the story of the two primary clans (Eagle and Raven) and each clan married into them.  Many of the stories are passed down through the clans and cannot be told to the public. However, representatives from each clan briefly explained the significance of the totem’s art.  Before each of the poles were raised into place, their names were repeated three times by the entire crowd to breath life into them.

The intricate carvings of the totem tell the story of the clans of the Tribal House.

Traditional pole totem pole raising may last up to a week with many feasts, speeches, and longs nights of singing and drumming.  Large poles raised in the traditional method require a huge amount of engineering to leverage the pole into place. As it was explained to me, there are many ways to put up a totem pole, and the method you choose is dictated by your resources and experiences.  The totem pole raising at Xunaa Shuká Hít also used the resources available. To ease our backs and ensure safety, a large crane positioned the pole onto its metal backing where it was mounted into place by master carver Gordon Greenwald. Each went up and smoothly. With the poles in place in front of the tribal house there was only really one thing left to do – go inside to eat together, to sing, and to dance.

The tribal house smelled strongly of pine. I think the smell was exacerbated by the heavy rain that fell outside and the humid conditions inside. I love the smell of the tribal house! Every corner was packed with people, and and the red, blue, and black regalia worn by many offset the yellow, wood walls. As lunch finished, a group of traditional Tlingit drummers, singers, and dancers from Sitka performed for the audience. Their drum echoed through the house, and the mostly male chorus was very powerful to listen to. The music and the atmosphere caused my skin prickle and my hair to raise on my arms. Each performer was equally impressive to watch. Their colorful, yellow, white, and blue Chilkat robes twirled  with each step and movement. We ended the day with an hour (or more? I lost track of time) of dancing from the community. The joyous songs brought all members of the house to their feet to join in the festivities.

The power of a day like this is hard to convey in writing and in pictures. If I were to think of an analogy that I hope makes you feel how I perceive the Huna Tlingit to feel, imagine going home for Christmas after being gone for 5 years in a foreign land. In your grandparents house, the Christmas tree reminds you of the last time you were there. Many of the sights an smells are familiar and memories of your childhood of opening presents and eating pie Christmas morning obligate you to tell stories to the young people around you of Christmases past. You realize, that although you are home for Christmas, the true joy is in knowing that you are passing on the tradition and stories to the next generation. Perhaps that’s true reason you are home for Christmas. Passing on stories and traditions were a big part of why the Huna Tlingit raised their poles. That ideal of creating a place for their children to return to in the future was the unifying theme of the day.  Although not all of our elders will be here in coming years, the totems at Tribal House will stand the test of time and tell the story of the Huna Tlingit for many generations to come.

The completed totems stand outside of Xunaa Shuká Hít

Ocean Biolumination and the Aurora Borealis

Although late April in Alaska typically spells the end of the “dark days” of winter and hence the aurora borealis, we were fortunate to have an active aurora forecast (KP6) and clear skies on April 23rd. Perhaps the fates were aligning without my knowing it as spring in Southeast Alaska is known for its clouds and rain, but as  I drove out to The Cannery at Icy Strait Point I was greeted by stars and a moonless night.  From the parking lot my feet crunched on the gravel of the rocky beach. I walked along with the water lapping near my feet and the sea-air filled my nostrils from the swelling waters of a high tide. I was not alone out there. My headlamp lit up only a small portion of the inky-dark night, but up ahead a mink’s eyes showed brightly like two opals in the dark. Another mustelid, a River Otter, swam in the waters just offshore. He got closer to me several times, obviously trying to figure out what I was up to. All of these wonders were the precursor to the amazing show that was only be beginning.

At 12:30 AM The aurora began to intensify over the waters of Port Frederick. Soon the pulsing green, pink, and white lights turned the ocean fluorescent green and my eyes wide. I had never seen a display this active in Southeast! I worked with my camera to tether together the sea and the Northern Lights. I was fortunate enough to have the Alaska Marine Highway Ferry add some scale at about 1AM.

Icy Strait Point, Northern Lights, Hoonah, Alaska, Southeast Alaska
Sea shells accent the Northern Lights from the Cannery in Hoonah.

Icy Strait Point, Northern Lights, Hoonah, Alaska, Southeast Alaska

At 1:30 AM the adrenaline of the incredible show finally started to wear off. I set off down the shore to go home,  staring at my feet to avoid tripping. That’s when the first small blue light in the water caught my eye. I splashed a rock into the water and blue waves of biolumintation echoed out from its crater. I stepped into the water, and my footprints erupted with light. All around me in the waters of Port Frederick, small, bio-luminescent creatures swarmed and let off burst of cerulean blue light like underwater fireflies at the slightest disturbance. It was then that I knew what I had to do! My camera began clicking 6 inches from the water’s surface as I sought together bond together the lights of the sea and the lights of the sky as its unlikely I will ever have this unique experience ever again!

Icy Strait Point, Northern Lights, Hoonah, Alaska, Southeast Alaska, Phytoplankton, Biolumination, Bioluminescence
A huge bloom of bio-luminescent creatures provides a blue glow to the foreground of this image. You can see their streaks in the water in this long exposure.
Icy Strait Point, Northern Lights, Hoonah, Alaska, Southeast Alaska
Bio-luminescent creatures in the waters of Port Frederick and under the Northern Lights.

 

Icy Strait Point, Northern Lights, Hoonah, Alaska, Southeast Alaska
The aurora borealis arches over all of Hoonah, Alaska.
The incredible dark skies of Hoonah are offset by the Aurora Borealis.

Top Shots 2016

Another year come and gone! This year has been nothing short of life-changing. I graduated with my masters in Wildlife from the University of Alaska Fairbanks, moved from the Interior to the incredible Southeast Alaska, married the love of my life, and have a job I love! Life is great, and life has left me less time to blog recently (lack of time compounded by no internet at my house). However, that doesn’t mean that my camera has been sitting picking up dust in the corner. On the contrary I’ve been out photographing the wild beauty of Hoonah and Alaska all year. Some of these images from 2016 have made their way onto Facebook. You can “like ” my page for daily photo updates at www.facebook.com/ianlww. For other images this is the first time they’ve been shown off! Previous year-end recaps have been in different formats such as dividing by month in 2014 and dividing by topic in 2015. This year I’m just going to scrap the text and the give you the top shots 2016 from around Alaska. I hope you enjoy!