In Wrangell, Alaska the Petroglyph Beach Historic Site is a rocky beach that stretches to the north of the Wrangell Island along the coast. Among the field of kelp, sand, shells and slate-gray rocks are carved the testaments of early Tlingit people from 8,000 years ago. In fact, with over 40 known petroglyphs, the beach contains the highest concentration of petroglyphs in all of Southeast Alaska! These carvings were undoubtedly significant to history Tlingit people, but their true meaning has been lost and shrouded by history.
I enjoyed carefully walking around the site to discover new designs in the rocks. It is hard not to be in awe of this location when thinking about its relation to early human events. Globally at 6,000 BC, the pyramids of Egypt had not started construction, and people were only just starting to practice agriculture. It wasn’t until about 5,000 BC that basic crop cultivation began, and in ~5,700 BC the eruption that formed Oregon’s crater lake began – certainly the Tlingit people felt that blast reverberate up the coast! The carvings are a testament to the long history of Native Alaskan occupation of Southeast Alaska, and their rich cultural history. Even without fully understanding their meaning you can grasp at their significance.
I do not know why the stark beauty of the Lake Superior coast surprised me so much; before, I had lived on its shores four years. In front of me, the grey sky mirrored the pale ice of the shoreline, and as I walked to the edge of Gitchigumi’s ice encased coast at Gooseberry State Park I was captivated. Short waves in the small cove which curled out in front of me lapped at the shoreline and imperceptibly built up icicles that hung from ice ledges. The icicles were shaped like alligator teeth and seemed to dangle from the frozen mouth of a gigantic beast. Every rock was encased in a sheet of ice built up one splash of water at a time. A careful cross-section of ice from on top of the rock would reveal that stone was at the core of an arctic onion.
The ice was inspiring to look at from a macro and micro scale. By getting close and touching my nose to the ice, I observed some the miniscule details contributing to the grand-scale beauty. On the rocks, a result of the layers of water was gray-and-white banded textures mimicking the agates Lake Superior is so famous for. They were polished to perfection. Colorful yellow lichens, tufted grasses, and rich green mosses were preserved on the rocks behind clear windows of curved ice. The magnifying effect of the curve threw pieces of the lichen out of proportion, and the the splashes of bright color they provided were in stark contrast to the granite. As I pressed my face close and looked, it was impossible to guess how some of the textures had formed. In some instances, it seemed that some of the small pebbles trapped in the ice had received just enough sun to melt and separate themselves. The small void they left above their surface was filled with alternating grains and patterns. Reflecting on it now, everything looks a bit different when you observe the essence of a landscape.
One of the greatest joys of the afternoon was when the sun dissolved through the flat gray skies as a radiant sunset. The grey ice ledges and icicles no longer blended into the background colors of the horizon but instead reflected and bounced the many colors of the sky. The Lake Superior coast was transformed. Translucent icicles absorbed and emitted the sunset’s light. Rays of sun illuminated the rock islands encased in ice. Blue skies and orange clouds floated overhead and were pushed by the wind. Throughout it all I counted my blessings and documented its beauty. As the sun finally set I returned to my car feeling like I had been at just the right place, at just the right time.