In July 2018 I was back on familiar ground in Minnesota. My home town is set in a classic Midwestern setting. Sprawling farm fields with rows of potatoes, corns, and beans. Wheat and barley fields with sprawling prairie oaks from remnants of prairies that were. As my passion for photography has grown I have found new ways to appreciate and observe its beauty. As with most of the places I go, I had an itch to go into the night and see the familiar landscape in a new light (or lack of it). The clear, moonless skies and warm nights brought me into the darkness like a moth attracted to the light.
My dad and I drove north under ink dark skies. With the Milky Way core rising at midnight, I wanted to make sure that we were in place by 11:30. We had scouted an old, abandoned farmstead the day before and sought it out along the country roads. The night was calm and a heavy dew lay on the grass. Crickets chirped and my camera clicked. A peaceful start to a peaceful evening.
Moving on from the farm we continued north to our land. We opened the orange metal gate at its entrance and drove through. In the familiar, 50 acre pasture an old Paper Birch and Burr Oak stood juxtaposed against the short grasses below. We worked together to light paint the trees and surrounding pasture. As I made the images the night hit its dew point and fog rolled over the pasture and fogged my lens. This inconvenience ultimately dampened my shooting and we packed up my gear and headed home.
The images below are the result of my journeys into the night over a few days. They are a new way of looking at and remembering the countryside I grew up in. They fuse together elements of my home with elements in the sky and for me lock in memories of those nights out.
Some days are destined to be better than others and due to the probability of the seasons it has a 25% chance of being a day in autumn. There is something magical to the season wrapped into the death, color, and distinct smells it manifests each year. Fall mornings immerse all of your senses: the bite on your nose of frost in the morning, musk of decaying leaves, the sound or crunching leaves, and brilliant colors of foliage make the season like none other.
The magic and of the day started as soon as my eyes opened. I stepped from my bedroom to watch a subtle and beautiful sunrise over Neka Mountain and Port Frederick. As I sipped my coffee and watched from the window the warm colors of low sunlight started from the peak of Neka Mountain and progressed to its base. I smiled and thought through the possibilities of the day. The plan for the day was simple : go fishing and bring a camera.
Down in the River
Eight miles out of town Spasski River held the promise of fish and bears. I strolled through a muskeg full of color. 4-leaved, 4-inch tall, Bunchberry Dogwoods had transformed into red fireworks with colors nearing a poinsettia and lingering frost framed the sharp edges of sedges and grass. I crossed out of the muskeg and descended the banks of the river passing giant sentinels of Hemlocks and Spruces. Once in the river the circular ripples in the surface of the water over my fishing hole gave hint to the presence of Cohos below. Peering in I counted fourty 40 or more fish and noted some of them had turned the dark red of the season.
After 15 minutes of fruitlessly flinging my pink fly into the school of Cohos a pair of bears showed up on the river bank. I watched as the sow and cub came closer and stepped into the open so they could see me. The cub trailed closely behind the mother and after a couple of my woops acknowledging I was there they passed into the tall grass of the river bank.
When brown fur came into view again I had the privilege of gaining some insight into bear behavior. The cub emerged alone in the tall grass and it was evident it was very nervous. It stood on its rear feet to sniff the air and then sprinted forward in the long grass while looking back over its shoulder as though being chased by shadows. The young bear stood three more times to look and smell for its mother, but she was not to be found. Mother bears have a reputation of being helicopter parents to protect their cubs from aggressive males trying to kill them. It was evident the cub appreciated the protection of the mother and was nervous to be out of her shadow. When I left the cub and sow had not been reunited, but I was sure the sow had not left the cub as isolated as it thought.
With the bears on my brain I decided it was best to stop fishing. I needed to be alert and was not keen on carrying Cohos out knowing the bears may interested in them too. I turned my attention to the scene in front of me. Yellow Salmon Berries reflected off the surface of the river. My eye was led down the scene to the flat top of ear mountain presided over the river. It was a special place to be and I was there to enjoy it alone.
The American Marten
Leaving the bears I encountered the next fiercest mammal of the forests of Chichagof Island : the American Marten. I found it in the compromising position of scavenging trash, and snuck closer whenever it dropped into the green garbage can in front of me. I was about 30 feet away when it spotted me and the necessity for me to move closer was negated by the curious creature. Before long it approached me to within 10 feet and was perhaps trying to decide if I was edible. I stood stock still and it curiously twisted its head back and forth to size me up and stared my camera each time it clicked. The Marten, not totally trusting the large bi-pedal in front of it, dashed into the grass several times as though testing to see if I would pursue. Each time it poked its head up from the grass by standing on its rear feet. Finally bored or perhaps hungry it left the grinning human for good.
Muskegs on Fire
Throughout the day I had stopped several times to stare at and admire the incredible reds and oranges of the muskegs. Red leaves of Wild Blueberry plants transformed the floor the muskeg into fire. The read were accented by the evergreen trees sprouting from the muskeg and by the crystal clear blue skies. However, in one place the red colors were especially vibrant, rivalling the reds of the Maple trees that I grew up with in the Midwest. The beauty of that place held me there for a long time as I photographed it and felt privileged to be there.
Transition in Suntaheen
From the fiery muskeg I descended to the quenching silence of the Suntaheen River valley. Along the river I found autumn to be in full progress. Red Alders sheltered the slow flowing river with amber leaves. The fallen leaves of those trees covered the rocky river bank like the yellow brick road. Beams of sunlight backlit trickled through the canopy and individually lit some of the fallen leaves. Groves of Devils Club along the river’s bank were turning a vibrant yellow and sunlight poked through their decaying leaves.
In the river I was reminded by of the salmon that had choked its waters only a month before. Scattered ribs, spines, and salmon jaws lay where the carcass had been eaten by a bear or had simply died. The bones were devoid of flesh and provided evidence the fish’s energy had already been absorbed by its sourrounding environment. Its nitrogen and energy mingled with the decaying leaves of the trees above cycling to ultimately feed to tiny fish emerging from the eggs buried in the gravel. Some days are just better than others. On this beautiful day I felt blessed to watch nature, learn something new, enjoy the transition of seasons, and observe the cycle of seasons.
A couple of times every year the moon and sun align – literally – to bring about very large tides. In June this year, a full moon delivered a -4.6 tide to Hoonah, Alaska and provided a glimpse of life under the sea. Rocky shorelines were converted into tide pools full of life trapped there by the receding waters. The first time I experienced one of these monster tides was in May 2016 right after moving to Hoonah. The joy I find in perusing the beaches and flipping rocks to see what is beneath has not diminished since that time. Thanks to Bob Armstrong’s guide, I am able to identify some of the creatures we found.
The Star Fish
Of all the animals in a tide pool, Sea Stars seem to provide the most variety to the color, textures, shapes, and sizes that have evolved in the ocean. In some places they cover every rock surface or bottoms of tide pools. They are the ever-present predator scouring for crustaceans, snails, and clams. We enjoyed looking at their colors and touching their rough (and sometimes slimy) skins.
We found the crab shells before we found the octopus den. The tell-tale shells were only a foot or two away from a crevice containing 8 arms with quarter-sized suckers. Th octopus was so large that we could only see one arm, and wait as we might it never came out of the den. Fortunately a smaller octopus – about the size of a football- motored by us. They are intelligent and lithe creates known for their camouflage. It was amazing to watch the colors of the small octopus’s skin turn from a light pink to dark red as it moved from rock to rock and tried to blend in. It was the first time I had watched a wild octopus! The 12″ deep water provided a window into its life below.
Crabs are really remarkable creatures. They have adapted themselves to all areas (niches) of the inter-tidal zone in search of food. We must have found 8 or 10 different species, but some of them stood out for their uniqueness. Spines, claws, and camouflage make them fit for the niche they fill. The most bizarre was the Butterfly Crab – it is hard to imagine what its oblong shell would provide. Perhaps it camouflage?
Bobbin’ Around Under Water
Below the inter-tidal we found this bright orange sponge. This sponge was accessible because of the low tide.
A day spent looking into tide pools is time well spent! Exploration allows you to discover new things, observe new behaviors, and breath in the sea air. I look forward to the next big tide!
Exactly two years after the Tribal House dedication in Glacier Bay National Park, five boats full of tribal members from Hoonah floated to the dock in Bartlett Cove at the entrance of the Park. Inside of Bartlett Cove a light rain fell and fog rolled through the trees – normal conditions for the homeland of the Huna Tlingit. The approximately 30 students on the boat departed in full red, black, and blue regalia with drums pounding. They were there to participate in the raising of a new totem, the Healing Pole, to recognize the reconciliation between the Park and Tribe in the last decade-and-a-half.
The students danced past the awaiting attendees at Bartlett Cove and to the beach. These songs were to welcome the people at the Park and those still arriving by water. They waited silently as the 42-foot dugout canoes were paddled in carrying elders, tribal members, and members of the National Park Service. Once the canoes disembarked all dignitaries werevon shore the rest of the ceremony commenced.
The Healing Pole
In 2017, traditional carvers Gordon Greenwald, Herb Sheakley, Owen James, and Randy Roberts began to carve a new totem. The pole’s goal was to tell the story of the relationship between the National Park Service and Huna Tlingit. Much of that story is difficult to tell as the Park (and the preceding National Monument) was responsible for keeping the people of Huna from harvesting their traditional foods within the park boundary since the year 1925 and into the present.
The Pole Arrives
It takes a community to move a pole. On this day its weight was born by Tribal members and Park Service employees symbolizing the relationship between the two. Step by step it was moved to lay next to its final location at the entrance of Bartlett Cove.
The Friend Who Has No Eyes. No Spirit. Sheds No Tears. Has too Many Hands.
Gordon Greenwald, dressed in woven cedar hat and vivid regalia, stood in front of an expectant audience to talk about the story conveyed in the totem. The story was laid out from the bottom to the top. Fish, seagull eggs, devils club, and halibut demonstrated that Glacier Bay was the food basket of the Huna Tlingit. However, 250 years ago as the glacier surged forward and destroyed the villages in Glacier Bay the pole showed how people got in their canoes and scattered to new settlements. A lock and chain nailed to the totem above canoes showed that by the time the glacier receded the U.S. Government had converted Glacier Bay into a National Monument and barred them from using their homelands in the traditional fashion. Even more ominous was the blank, colorless, eyeless face above the lock and chain. Gordon explained, “Then came the friend you have that has no eyes. The friend you have that has no spirit. The friend you have that sheds no tears. The friend you have that has too many hands. The U.S. Government”. Waves in the totem show that the metaphorical waters of Glacier Bay were turbulent for years, but footprints above the waves demonstrated that “we walk in the footprints of our grandparents and ancestors” and those footprints eventually led to the Tribal House that crowned the pole.
The Healing Pole was much different than the clan poles erected in front of the Tribal House as it incorporated traditional formline and modern carvings. The addition of the chain and lock provided a powerful, although non-traditional twist to the message of the pole.
Up It Goes
In due time it was time for the totem to be raised. The students sang traditional songs and audience members raised their hands to dance. Within 20 minutes the enormous pole was proudly displayed for all to admire and know the story it held.
The Process of Healing
As part of the healing process Hoonah Indian Association and Tribal members created matching robes to be given to the the Superintendent of the park and President of the Tribe. Receiving the robe, Park Superintendent Phillip Hooge hugged Julie Jackson and Darlene See warmly with tears in his eyes. His open emotions brought a smile to my face because it demonstrated the barriers that were being broken down. This was not just a stiff, formal presentation, it was a truly significant and meaningful transaction.
With the formalities done outside it was time to go inside the Tribal house for stories and to dance and sing. Students let the procession and songs within the Tribal House. The emphasis on students during the event was heartwarming – it was done acknowledging the future leaders of the Huna Tlingit and their need to recognize, know, and participate in their culture.
For me, the most powerful moment came when Park Service employees were invited to the dance floor. The dance began with institution leaders Phillip Hooge and Frank Wright Jr. As it progressed more and more people joined the throng. The moment was powerful – it was not that many years ago that such a blend of backgrounds, views, disciplines, and culture would have seemed impossible. As the dance tapered away it was obvious that spectators were as invigorated by it as the participants.
The Healing Pole Ceremony is another chapter in the annals of history for the Huna Tlingit and the Park Service. The growth and relationships developed through the Tribal House, Clan Poles, and now the Healing Pole will need to be nourished to continue the healing and progress that is needed for the people of Hoonah. The fact that all around people acknowledged the need for that nourishment makes me feel hopeful for the future.
As a non-native spectator it was a privilege to be at this event. It was especially nice to have the context of the previous two events and my knowledge of working for the Tribe to help set the story. I am honestly pretty shocked by the openness of emotion showed from both sides – the plight and longing to actively use their homeland was evident through the stories of Elders and Tribal members. The acknowledgement of the damages done and the willingness to make good as the Government System allows could be seen in the Park Service employees. Because of the event’s blend of traditional and modern values, it continues to show the resilience of the Hoonah Tlingit – their ability to adapt will has and will ensure their culture is alive and well into the future.
Arguably herring are the base of the entire food chain in Southeast Alaska. They provide food for whales, salmon, seals, sealions, birds, and halibut with their bodies and with their eggs. For centuries humans have relied on the abundance of herring to provide for their families in the spring. In Hoonah, Alaska the return of herring marks a change in the a season and a bounty of fresh eggs brings a welcome smile to the elders and community members that receive them. However, in recent years the herring run has not bee large in Hoonah although anecdotally (and a bit facetiously) you could “walk across their backs to Pitt Island” only a couple decades ago. Ocean changes, over fishing, and habitat loss have all contributed to decreasing herring returns and fewer spawning fish in recent years. This knowledge made me feel particularly fortunate to get to see herring spawning in Hoonah and watch the harshness of nature unfold before my eyes as Bald Eagle scooped the silvery fish from the ocean.
Spawning herring rely on seaweed and objects in the water to glue their eggs to. Spawning females mix with males and each emit eggs and roe into the water. A sure sign that herring are spawning is a milky, blue water that combines the colors of the ocean and the white of the roe. The need to stick their eggs to seaweed brings the herring close to shore and thus susceptible to predation. As I walked near Cannery Point in Hoonah, Alaska over 30 eagles (a mix of juveniles and adults) lined up on the beach. The color of the water and brilliant flashes of silver near the shore left little doubt on what they were feeding on!
A string of eagles wait for spawning herring at the beach.
Trial and Error
One of the first things I noticed was the juvenile eagles were watching the adults very closely. They knew they had a lot to learn, and there was no doubt after several minutes of watching that the adults were much more efficient at catching the herring. Most of the adults would launch from the beach, strafe their talons on the water’s surface and come up with one or two herring. Some eagles opted for a higher vantage point and flew in from the trees on the embankment. Another strategy was to simply stand on a rock or in the water and hope to catch one in without flapping a wing. All of these strategies produced herring for the eagles and the juveniles mimicked them perfectly.
Meals on the Wing
Even though there was an abundance of herring one strategy of some eagles was to steal from those that were successful. The fierce competition from other birds forced successful eagles to eat very quickly and on the wing. Almost all of the eagles would transfer the herring to their beaks and then orient the fish head first before finally swallowing it hole. This occurred in just a few seconds to remove any chance of pestering, marauding eagles from stealing their catch. I did get to watch once instance where an eagle successfully scooped two herring at once, but did not eat them on the wing. Immediately three other eagles (2 adults and a juvenile) put up chase resulting in the eagle dropping one herring to get rid of the pestilence following it.
Two eagles settle a small squabble over who gets some beach space.
Repetition, Repetition, Repetition
It was incredible to watch the eagles feed on the herring and learn from their behaviors, but as a photographer I was grateful for the frequent and repeated attempts by the eagles to capture herring. I had the opportunity to tinker with camera settings and capture a lot of shots that are high quality and showcase the slice of foodweb that I was only a spectator to.
It is always a big deal when family comes to visit. For me, being a “big deal” is a positive thing! My wife and I are fortunate to live in a place surrounded by natural beauty with something to see or do around every corner. I always strive to show off my little corner of the world in Hoonah, Alaska and decided that my parents, uncle, and two cousins needed to see Glacier Bay National Park and the local whales around Hoonah during their visit. It’s nice when all the right things come together to bring “the full package”! We enjoyed incredible weather and wildlife sightings over 2.5 days.
Glacier Bay Tribal House
Over the last 2 years I have had the incredible experience to be at the dedication of the tribal house and to take part in the raising of two totems at the tribal house. Those two events were so very important to the Huna Tlingit, but they also gave me a tremendous connection to Bartlett Cove and the land where the Huna Shuka Hit resides. When I visit the tribal house I remember the stories of the people, the emotions of the day, and the power of the place. Stepping into the tribal house to observe the house poles, place my hand on the intricate carving of the screens, and smell the sweet aroma of cedar give me a sense of peace. I enjoyed sharing my stories of the raising and dedication with family as we toured around that special place.
Into the Park
Glacier Bay National Park is almost completely inaccessible unless you have a boat. Its long fjords and glacially-carved mountains extend nearly 90 miles from the entrance of the park at Bartlett Cove. The “Day Boat” of Glacier Bay provides access to visitors all the way to the end of the bitter end of the west arm where Margerie Glacier butts against the ocean and the Grand Pacific Glacier (responsible for carving the fjord of the park) recedes into the distance further than the eye can see. 250 years ago the Grand Pacific Glacier was responsible for pushing the Huna Tlingit out of Glacier Bay National Park when it advanced over 75 miles in only only a few decades. Traditional stories say that at times the glacier moved as fast as a running dog! Science has backed those claims, and it is truly amazing to think what that wall of ice must have looked like!
Glacier Bay National Park protected area full of marine and terrestrial wildlife. During our tour we had incredible view of breaching Humpback Whales, families of grizzlies, harems of sealions, rafts of otters, flocks of puffins, and families of goats. Each of these sightings added to the richness of the day and the overpowering feeling that we were in a very special place!
The face of Margerie glacier stands over 200 feet high and is a mile wide. It “calves” ice into the water creating a maze of jumbled ice.
The Whale Tail to End the Tale
We got a pickup in Gustavus from our good friend Capt. Billy Mills of Wooshketaan Tours. He took us across Icy Strait to Point Adolphus which is renowned for its whale watching. The rich waters are fed by the currents coming in from the ocean and from Glacier Bay and create abundant fish populations that bring in apex predators such as whales and sea lions.
As we sped along the 20 miles from Point Adolphus to Hoonah I admired the mountains, the tall groves of Sitka Spruce and Hemlock, and the abundant Sea Otters and Whales. The trip went quickly, and as we approached Flynn cove about 8 miles from Hoonah a gigantic splash ahead of us flung water high in the air. The Humpback Whale that caused it obliged us by breaching 5 times in total! It was the closest I had ever been to a breaching humpback and it was a thrill to share my giddiness with all on board!
With the memory of the breaching still fresh in our memory we turned into Port Frederick and after a brief stop ashore made our way up bay . The spouts of water ahead quickly gave the location of what we were looking for – a large pod of Humpback Whales were bubble net feeding in front of us! In the smooth waters we watched the circle of bubbles form on the surface from the whales below and the mouths of 40-foot humbpacks rise agape through the surface. We were the only boat on the water and got to enjoy the show in the lingering sunset and surrounded by family. I (we) were incredibly blessed to be in that incredible place together.
A few nights ago I had a “breakwater” experience in my photography career. A tidal one. A heart-stopping, adrenaline pumping, oh-shoot-what-now, moment. I’ve had quite a time laughing at it now and feel I need get it down for the record so that 10 years from now I can’t stretch the story too much.
So here’s the scene. It’s is April 16th, 2018 and a new moon is leaving the sky void of light pollution. It was a slam-dunk, shockingly beautiful night with clear and luscious dark skies. For a night photography junkie like myself the opportunity was too good not to go out. I arrived at Long Island outside of Hoonah, Alaska at 10:00 PM. This area is situated right on the ocean and a saddle of coarse sand connects the mainland to a 200 foot diameter island. I began to shoot along that sand spit and was thrilled with the shots I was getting : smooth seas reflected the stars like opalescent pearls on the surface. The edge of the Milky Way rose to the north and was showing up brilliantly in my camera. It was simply a stunning night to be out . Satisfied with the individual shots I was getting I began to deploy three DSLR bodies on 6 foot tripods being conscious of the high tide line. I programmed two to take images at regular intervals in order to create Star Trails images and one I placed on a robotic head to capture a timelapse of the Milky Way. The robotic head was tethered to a battery which sat on the sand 5 feet below the camera. Smugly I thought to myself how good I was getting at this and decided that a few winks of sleep would be a great way to pass the time as the cameras did their thing. Sleep is a great way to lose track of time and reality.
You may already know sleeping in a car seat never provides the best sleep. I woke up at 11:30 and saw the green light on my camera flicker, noting that it was taking pictures and that everything was OK. I woke up at 12:00, 12:30 and then at 1AM. Again, everything looked great! The stars were speckled across the heavens, the ocean was calm, and no sea-fog had rolled in. I wedged myself into a comfier position and passed out stone cold until 2:30 AM. When I awoke was when the real fun started.
I guess I have to tell you a bit about the tides since not all are familiar with them. In Hoonah, our tides swing as much as 23 feet from low to high. Huge amounts of water move like a large river and quickly flood tidal areas over 6 hours and then recede.In the video below (a result of the night) you can watch the tides come in fast. Like all coastal areas there are two times of the month when then tides are greatest : full moon and new moon. I’ve already told you which moon I lay sleeping under.
At 2:30 AM I yawned, stretched, smacked my lips, yawned again, and then decided I should go check on my cameras. I opened the door and came face to face with my situation – salt water was rushing by my truck just below my floor boards like a river. Due to the new moon there was no regard by the ocean for the “normal” high tide line, it had gone past with the regard a lion gives a cob of corn. I tried to step from the truck and over-topped my 16″ tall rubber XTuff boots. Oh shit. I knew my first priority was to get my truck to high ground. Fortunately I had parked facing the right way and was soon there… but now about those cameras.
Desperate times call for desperate measures. When you have thousands of dollars of water-sensitive camera gear caught in the embrace of a rampant high tide it is desperate times indeed. My first few steps to Camera # 1 with the extra battery brought me over my boots and then over my thighs. I was shocked to see 6 foot tall tripod only sticking out of the water by 18inches. Rescuing the large battery from the bottom of the ocean required submerging my arm up to my armpit in the icy brine. And I knew I was just getting started as I rushed the camera to safety on shore.
Camera # 2 was placed much further along the saddle that connected the island to shore. I was over my boots and over my thighs when, to my dread, the ice flows began to solidify in the 25 degree night. A skim of quarter inch ice had built up like tiny armor plating to rub against my stinging legs. Fortunately (I guess?) I had no choice to scrutinize my options and further in I went. By the time I reached Camera #2 I was over my belly button. As a man I can say that it was extraordinary uncomfortable to be that deep in those icy waters.
Camera #3 was placed on a flooded bolder field. Hindsight is 20/20, but my legs were so numb and becoming dysfunctional by the third camera that navigating my waterlogged boots over the volcanic rock was quite difficult. With a few stumbles I was able to retrieve the camera which was still taking images and toddle my way back to my vehicle.
It is truly remarkable I didn’t lose any camera gear. The tides were a full 4 to 5 feet higher than I ever would have suspected. In river terms it had “topped” its bank. On that night I did a rare thing by raising all of my tripods to their highest height. It is much more typical for me to shoot with low tripods which would have flooded for certain. I’ll count my blessings and do a much better job of measuring the tides next time I go out!
In the South Pacific, the islands of Hawaii emerge like green jewels from the vast ocean. For many tourists these islands offer beaches and relaxation and forested hikes. Throughout these habitats are dozens of species of birds that have evolved on the island and live nowhere else in the world. Known as “endemic” species they contribute to the biodiversity and beauty of the place and also to the allure of the islands to birders. There are also a multitude of stunning species that have been introduced from foreign countries through Hawaii’s long history of travelers and agriculture. Last there are the migrants – birds that live in Hawaii each winter and feed in its rich forests.
Birding Hawaii for the first time is certain to add many species to your “life list” and after a week of casual birding my wife and I were thrilled at the chance to see some of these winged wonders.
Endemic species are often highly evolved to fulfill a certain niche. This means they often rely on a certain food source or nest in a certain area. They are highly specialized and are susceptible to habitat destruction, climate change, and competition from introduced species. These birds did not evolve with mammalian predators and have felt the pressure of cats and mongoose which came with humans. According to ABCbirds.org, 95 of 142 endemic Hawaiin bird species have gone extinct since human arrival. Of the 44 remaining species, 33 are on the endangered species list and at risk for extinction. These statistics have prompted many studies and efforts at restoration. Hopefully efforts will successfully save some of these beautiful species. Certainly the liklihood of extinction means birding Hawaii now may be your best time to see some of the species before they disappear forever. We only saw several endemic species and hope to pursue these more on our next trip to Hawaii.
Hawaii has a long past of habitat destruction and modification from humans. In the 1830s, the first successful sugar cane plantation was planted in Hawaii and “cane” plantations spread like wildfire from there. For nearly 180 years the cane plantations burned through acres and produced huge amounts of product. In 2016 the last cane plantation shut down. However, that industry, development, military activity, and travelers introduced dozens of birds, plants, insects, and mammals. Many of these birds thrived in the warm and gentle climate and in time competed with the endemic species that lived there. We had an opportunity to see a wide sampling of these species on while birding the Big Island and Oahu.
Of all the migratory species that we observed the Bristle-thighed Curlew was certainly the highlight! Very little is known about the habits of this bird, but they breed in northern Alaska and winter exclusively on islands in the south pacific. It was pretty remarkable to see them walking around the golf course near Kona!
Black-crowned Night Heron
Pacific Golden Plover
Birding Hawaii made me realize again how connected birds make the world. Regardless of the distance and expanse they have to cover they are able to connect regions like the Bristle-thighed Curlew connects Hawaii and Alaska. I cannot wait for the next time that I bird those gorgeous islands.
When you arrive on the Big Island of Hawaii one thing is immediately obvious – lava is omnipresent and shapes the land in a big way. I know, you may be thinking to yourself, “Of course it does! It’s Hawaii”, but until you drive through miles on miles of black, barren, lava fields for the first time it is hard to imagine how dominant the lava is over the Big Island. Once you get past the incredible scale of lava fields and begin to zoom in on the lava formations themselves, it is even more difficult to determine how the intricate loops, curls, folds, chasms, and bubbles form in the fields. Bubbles within bubbles, curls over swells, loops and swoops, nothing it seems is impossible for lava. I was grateful to visit the lava leads of Volcanoes National Park which put some of questions to bed.
Hiking the Lava Fields
There is no official trail to the lava leads (open flows of lava), so you are “bush whacking” (an ill fitting term considering there are few bushes in the newly scorched earth) across the lava fields. When I took my first step onto the blackened earth it gave a satisfying crunch – like several thousand tiny glass panes had broken simultaneously. This isn’t far from the truth as I learned that the surface of the lava cools in a glass-like structure. With each crunching step we plodded closer to our goal – smoke rising from a hillside. About two miles in we caught sight of a bright orange flash on the hillside. Even in the daylight it was so bright that it seemed a person in a blaze-orange jacket was propped in the rocks. It was my first look at lava, and I couldn’t wait to get closer! 30 minutes later we were standing only 20 feet away from the open leads of lava to observe their beauty and feel their heat first hand. Check out the video below for a taste of the hike in and the beauty of lava.
On the Nature of Lava and Its Formations
Standing and watching the lava leads swell, break their crust, cool, and repeat helped answer a lot of the questions I had. For instance –
How fast does lava flow? The answer all depends on the slope of the hill. Further up from us the lava flowed like a small river – much faster than a person could run. Near us, in the toe of the slope it ran much slower.
The lava fields were incomprehensibly large, so how fast do they form? Much, much quicker than I expected. Open lava leads could form meters of new, scorched ground in just a few minutes. It became evident how quickly the lava leads could create new land or in many cases in Hawaii, new islands.
How does the lava form the different shapes? There are so many complexities to this. I believe it has to do with the temperature of the lava (1300 – 2200 F), the crack it was bursting through, the wind, the air temp, the slope, the rate of flow, and so much more. I did get to watch as the lava formed bubbled as well as more unique shapes such loops and curls like overlapping layers of chocolate from a fountain.
An open lava lead flows just a few feet away from me.
Darkness Falls Over the Lava Field
Our plan was to stay late into the night and photograph the Milky Way over the lava leads. The night was warm, but even if it had not been it is easy to stay warm in a lava field – if you pick the right rock it is like laying on warm concrete thanks to the percolating lava below. We curled up for naps on our geologically heated sleeping spots and then enjoyed the brilliance of the open lava in the dark night. At 10PM the clouds rolled in thick and light rain started. The rain in particular can create hazardous conditions when it comes in contact with open lava by generating nauseous gas, so we decided to call it a night and made the trek home. Overall the experience was my fondest of in Hawaii and is in the 10 of all-time life experiences!
Planning a Trip?
The lava conditions in Volcanoes National Park change constantly, and you will want to check on current conditions on the National Park Service website before heading out. Our hike to the open leads of lava ended up being 10 miles round trip, but if you are fortunate the lava will be much closer to the road if you go for a trip. Bring good shoes, lots of water, food, and a camera!
It has been a looonnnng time since the aurora forecast has lined up with clear skies here in Hoonah, so when they finally did this weekend I wanted to make the most of it! Although I do not often focus on writing about photographic techniques on this blog, I thought I would focus on some creative photography techniques I employed and how they can expand your shooting opportunity. Read along to learn about some skills to expand your nighttime shooting (foreground composition, focus stacking, panoramas, light painting) or scroll along to check out some of the images from the night.
Foreground Composition & Light Painting
When I am out photographing a scene I am forever on the hunt for interesting foreground elements. Of course the definition of word “interesting” is determined by the photographer, but I search for elements that capture the essence of the scene, amplify the impact of a phenomenon, or create a pleasing set of lines that lead the eye. On this particular night I was drawn to a rock face that was draped in large icicles. They were translucent and I knew that I could shoot the aurora through them – they were also perfect as a piece of the scene because they provided texture to the aurora’s light and were a part of the essence and juxtaposition where the ocean meets the shore. I call the resulting shot “Aurora Light Sabers” and am thrilled with the unique perspective it provided to the landscape and aurora. Not all foreground elements are so well lit, so you may consider bringing a flashlight along to help paint the scene.
Modern cameras are incredibly adept at picking up light, however, moonless nights in regions with truly dark skies will still leave foreground elements black unless you use a bit of focused lighting and enhancement. Thus, the creative photography technique “Light Painting” can help you emphasize and highlight your foreground elements.
On this night I brought a very unique foreground element with me. This model (maquette) of the Goonz Totem Pole in Hoonah, Alaska is an exact, 18″ replica of the life-sized pole. It was used to guide the carvers as they brought the full sized pole to life and it was truly a privilege to have the maquette with me. I set the maquette up close to my camera and began to shoot, creating the illusion that a full-sized totem was in front of my camera. I used a light panel and bounced the light off the surrounding snow to softly light the totem. Without light painting, the totem would have been completely dark and blank – simply a silhouette against the sky.
This it the full-sized Goonz Pole located in Hoonah, Alaska
You can expand your depth of field and create sharp images using a technique called focus stacking. I am a novice at the technique and referenced this article.
One of the disadvantages of using such a small maquette is that I had to be very close to it to take the shot and make it a significant foreground element. The close object brought the stars far out of focus (as seen in the maquette image above). To get over this hurdle, I shot multiple images of the totem at different focuses in rapid succession and then combined them in Photoshop. Through focus stacking I was able to have my cake and eat it too – I created an image with a dominant maquette in the foreground and sharp stars in the background.
Often scenes are so expansive that they cannot be captured in a single image, and that is where a panorama can be very helpful. As I stood on the beach and photographed I knew that I wanted to capture the Milky Way and the Northern Lights together (about 160 degrees field of view). I created the panorama below using 6 images and a 24mm, Sigma f/1.4. Each image is separated by 20 degrees using a rotating ballhead. I used 20 degrees because I know it provides ample overlap in the image for Photoshop to align and stitch with. You will need to change the amount of rotation depending on the length of the lens that you use. Using the panoramic technique expanded my field of view and helped me capture all of the celestial elements that I had in mind as well as the mountains of Homeshore and the mainland.
The Take Away
I am always learning new techniques and refining ones that I already know. Thinking outside of the box and on your feet during a photography session can expand your shooting opportunities during a single night. As I like to say “pixels are cheap”, so be sure to make lots of pixels as you shoot more creative photography.