In July 2018 I was back on familiar ground in Minnesota. My home town is set in a classic Midwestern setting. Sprawling farm fields with rows of potatoes, corns, and beans. Wheat and barley fields with sprawling prairie oaks from remnants of prairies that were. As my passion for photography has grown I have found new ways to appreciate and observe its beauty. As with most of the places I go, I had an itch to go into the night and see the familiar landscape in a new light (or lack of it). The clear, moonless skies and warm nights brought me into the darkness like a moth attracted to the light.
My dad and I drove north under ink dark skies. With the Milky Way core rising at midnight, I wanted to make sure that we were in place by 11:30. We had scouted an old, abandoned farmstead the day before and sought it out along the country roads. The night was calm and a heavy dew lay on the grass. Crickets chirped and my camera clicked. A peaceful start to a peaceful evening.
Moving on from the farm we continued north to our land. We opened the orange metal gate at its entrance and drove through. In the familiar, 50 acre pasture an old Paper Birch and Burr Oak stood juxtaposed against the short grasses below. We worked together to light paint the trees and surrounding pasture. As I made the images the night hit its dew point and fog rolled over the pasture and fogged my lens. This inconvenience ultimately dampened my shooting and we packed up my gear and headed home.
The images below are the result of my journeys into the night over a few days. They are a new way of looking at and remembering the countryside I grew up in. They fuse together elements of my home with elements in the sky and for me lock in memories of those nights out.
“August in Minnesota” has a connotation to it for those who have lived here long enough. Hot, sticky, humid days boost electricity bills as air-conditioners stay on full time to beat the heat. A result of the moist conditions is heavily dewed grass in the mornings. I stepped outside and thick fog hung in the air. It was 7:00 AM, and the sun was beginning to burn through the mist with some filtered reds and oranges. A large moon hung high in the sky, and my truck passed under it on my way to our land in Butler, Minnesota. Pulling up, I unlocked the gate and pushed it open. Dew hung heavy on the grass and bejeweled thousands of spider webs across the 30 acre pasture. In a few moments I had my camera in hand as I passed through the knee high grass.
Many of us have a location that we’ve visited many times, and a stop there brings back many important memories for us. For these spots, there are peak experiences when conditions or moments are at their best. This sweaty, August morning was one of those for me. The foggy sunrise catalyzed the transformation of the scene from dewy, shadowed pasture to a hot, new day. As it did so I tried to capture the beauty of the morning dew on the webs and flowers that it encrusted in shiny droplets. Some of the spider webs had drops so large and heavy that they reflected the world over-and-over while dragging their grass pylons down around them with their collective weight. I feared a slight wind would cause them to drop off before I was done.
The sun rose higher and I turned my meandering around; I was headed south but turned to heading north. I passed along the edge of the grassland and sank below a small rise. As I came over the top hill my eye caught movement and then the body of a deer. The deer (Odocoileus virginianus) was a small fawn accompanied by its mother. Somehow I had caught the attention of the fawn only, and the mother continued to graze. His curiosity got them best of him, and he started to walk towards to me. I stood post-like with camera clicking. By the time the fawn was satisfied that something wasn’t-quite-right he stood 10 yards away. The mother had moved silently up the hill and stood about 20 yards away to contemplate me too. Finally she stomped a foot, snorted, and brought her offspring into the shelter of the woods.
My conclusion to you is this : every day is a new day, and you can only go enjoy what you go to see. If you have a favorite spot, I challenge you to go experience that location when it is at its best.
A young white-tailed deer steps forward to get a look at me. Unable to quite decided if I was dangerous or not.
The mother of the young buck scopes me out after being alerted by her offspring.
This young white-tailed deer buck ended up within 10 yards from me in his quest to figure out what I was.
The white-tailed fawn is scouting me out here from about 18 yards away.
Getting a bit closer! This white tailed deer comes forward to check on me.
During my trip home to Minnesota I have taken what I have learned about aurora watching in Alaska, and transferred it to conditions in the midwest. In doing so, I traded watching the aurora over snow drifts to squinting my eyes over bean fields with moderate success! A big push of energy from the sun has elevated geomagnetic energy to KP 6 or a G2-“Geomagnetic storm level 2”, which boosts the aurora to Minnesota, and even beyond. The two nights I chased the aurora brought success in both capturing the aurora in central Minnesota, and for playing with some new techniques which I will be honing in the upcoming year and are featured below. I would love to hear your feedback!
This timelapse below is fairly short and does not have a brilliant aurora, but does give a great idea of where to look for the aurora in Central Minnesota. During this G2 storm. In Alaska the aurora during a G2 storm would be far overhead and taking up the whole sky. In Minnesota it rose slightly above the horizon. Viewing would have been better if the smoke haze and moonlight could have been removed.
One of the techniques I am very interested in growing is the ability to capture full panoramas of the milky way. The progression of images below shows a little bit on how that works. I learned a lot in this first attempt. A few key findings : 1) find the darkest skies possible! The light pollution shows here. 2) need to have more overlap in the shots 3 ) I tried to capture the whole galaxy in one sweep of the camera. I now know I can stitch multiple rows of shots to capture a larger area 4) keep the ISO of the camera low-ish to reduce noise. For those reading this with experience in capturing the Milky Way, please contact me, it would be great to pick your brain!
I have done a lot to curate my aurora gallery on Fine Art America. I would love if you checked it out!