Tag Archives: night

Proof Photography Wisdom Comes With Age : A Tidal Lesson

A few nights ago I had a “breakwater” experience in my photography career. A tidal one. A heart-stopping, adrenaline pumping, oh-shoot-what-now, moment.  I’ve had quite a time laughing at it now and feel I need get it down for the record so that 10 years from now I can’t stretch the story too much.

Ocean, Light Painting, Stars
This story involves the stars and the tides. Pictured here. Perhaps if I had looked closer and could read the night’s fate in the stars I wouldn’t have gone out at all!

So here’s the scene. It’s is April 16th, 2018 and a new moon is leaving the sky void of light pollution. It was a slam-dunk, shockingly beautiful night with clear and luscious dark skies. For a night photography junkie like myself the opportunity was too good not to go out.  I arrived at Long Island outside of Hoonah, Alaska at 10:00 PM. This area is situated right on the ocean and a saddle of coarse sand connects the mainland to a 200 foot diameter island.  I began to shoot along that sand spit and was thrilled with the shots I was getting : smooth seas reflected the stars like opalescent pearls on the surface. The edge of the Milky Way rose to the north and was showing up brilliantly in my camera.  It was simply a stunning night to be out . Satisfied with the individual shots I was getting I began to deploy three DSLR bodies on 6 foot tripods being conscious of the high tide line. I programmed two to take images at regular intervals in order to create Star Trails images and one I placed on a robotic head to capture a timelapse of the Milky Way.  The robotic head was tethered to a battery which sat on the sand 5 feet below the camera. Smugly I thought to myself how good I was getting at this and decided that a few winks of sleep would be a great way to pass the time as the cameras did their thing. Sleep is a great way to lose track of time and reality.

Milky way, hoonah, alaska, stars
The edge of the Milky Way Rising in Hoonah, Alaska.

You may already know sleeping in a car seat never provides the best sleep. I woke up at 11:30 and saw the green light on my camera flicker, noting that it was taking pictures and that everything was OK. I woke up at 12:00, 12:30 and then at 1AM. Again, everything looked great! The stars were speckled across the heavens, the ocean was calm, and no sea-fog had rolled in. I wedged myself into a comfier position and passed out stone cold until 2:30 AM. When I awoke was when the real fun started.

I guess I have to tell you a bit about the tides since not all are familiar with them. In Hoonah, our tides swing as much as 23 feet from low to high. Huge amounts of water move like a large river and quickly flood tidal areas over 6 hours and then recede.In the video below (a result of the night) you can watch the tides come in fast.  Like all coastal areas there are two times of the month when then tides are greatest : full moon and new moon. I’ve already told you which moon I lay sleeping under.

At 2:30 AM I yawned, stretched, smacked my lips, yawned again, and then decided I should go check on my cameras. I opened the door and came face to face with my situation – salt water was rushing by my truck just below my floor boards like a river. Due to the new moon there was no regard by the ocean for the “normal” high tide line, it had gone past with the regard a lion gives a cob of corn. I tried to step from the truck and over-topped my 16″ tall rubber XTuff boots. Oh shit. I knew my first priority was to get my truck to high ground. Fortunately I had parked facing the right way and was soon there… but now about those cameras.

Desperate times call for desperate measures. When you have thousands of dollars of water-sensitive camera gear caught in the embrace of a rampant high tide it is desperate times indeed. My first few steps to Camera # 1 with the extra battery brought me over my boots and then over my thighs. I was shocked to see 6 foot tall tripod only sticking out of the water by 18inches. Rescuing the large battery from the bottom of the ocean required submerging my arm up to my armpit in the icy brine. And I knew I was just getting started as I rushed the camera to safety on shore.

On any other day I would erase this image, but since the stream tail lights of my truck captures the pandemonium of the moment its a shot with a story.

Camera # 2 was placed much further along the saddle that connected the island to shore. I was over my boots and over my thighs when, to my dread, the ice flows began to solidify in the 25 degree night. A skim of quarter inch ice had built up like tiny armor plating to rub against my stinging legs. Fortunately (I guess?) I had no choice to scrutinize my options and further in I went. By the time I reached Camera #2 I was over my belly button. As a man I can say that it was extraordinary uncomfortable to be that deep in those icy waters.

Camera #3 was placed on a flooded bolder field. Hindsight is 20/20, but my legs were so numb and becoming dysfunctional by the third camera that navigating my waterlogged boots over the volcanic rock was quite difficult. With a few stumbles I was able to retrieve the camera which was still taking images and toddle my way back to my vehicle.

Star Trails, Alaska, Hoonah
All said and done the night was actually quite successful. Check out this beautiful star trails!

It is truly remarkable I didn’t lose any camera gear. The tides were a full 4 to 5 feet higher than I ever would have suspected. In river terms it had “topped” its bank. On that night I did a rare thing by raising all of my tripods to their highest height. It is much more typical for me to shoot with low tripods which would have flooded for certain. I’ll count my blessings and do a much better job of measuring the tides next time I go out!

Star Trails, Hoonah, Alaska, Light Painting
Star Trails captured on my nearly disastrous night. In one I used my headlamp the light the treees on the shore.

Star Trails, Hoonah, Alaska, Light Painting

Northern Accents

It was negative 5 degrees Fahrenheit in Fairbanks, Alaska as I stepped outside to engage in my photographic addiction : capturing the northern lights. I set off into the night, stomped a trail through knee-deep snow, and tripped on a hidden tree. The trip loosened up a signature item of the black spruce bog that I was walking in; a four foot Black Spruce tree encased in snow. Around me arranged in clumps and with varying snow loads were hundreds of Black Spruces. Each layer of snow deposited through the winter hung heavily on each tree.  Some of them sustained the burden of winter and maintained their dignity by standing upright, however, many bowed over in graceful arcs waiting for the warmth of spring to set them free. The beautiful landscape I stood in was classic to the interior of Alaska in the boreal forest. On this night I was in luck, the aurora started up and with my camera and mind racing I began to take pictures that fused together two iconic elements of interior Alaska.

I began photographing the aurora borealis three years ago and since then have continued to morph my skills and technique. It is actually pretty amazing to consider the transition that my photography has gone through as I began to realize that although the northern lights are stunning they are only an accent to unique landscape. I began to focus less on tack-sharp stars and large vistas and more on the foreground elements. I no longer only seek tall “domes” (i.e., mountains, hills) to stake out my my tripod. Instead I often look for integral pieces of the landscape that epitomize it and place them close and directly in front of my camera. In order to capture landscapes like these I change my techniques. My camera and tripod are almost always at ‘snow level’ to take advantage of unique angles, and I set up only a few feet from the object in front of me. A bulbous, snow-covered black spruce only two feet away becomes the tack-sharp focus that the eye is pulled to. The dreamy and soft aurora and stars  provide the lighting that help pull out the essence of the landscape. They are punctuation to the beauty which lies all around.

In the age of digital photography that makes capturing the northern lights “easy”, I offer this article as a challenge to photographers to think outside of the box when shooting the aurora. You may find that it provides inspiration to your work and a beautiful twist to an astounding phenomenon.

Northern Archway
I chose this archway of spruces to photograph the aurora in. I was intent on capturing the aurora in a way that complimented their shape.
Window to the Northern Lights
I got closer to the archway and was thrilled by the aurora that dance in this natural window.
Northern Lights
Bulbous, snow-covered spruces and a framework and a dead spruce are set by the aurora borealis.
Aurora Borealis
A window to the aurora beyond.
Northern Lights
A broad vista of red and green aurora in Fairbanks.
Northern Lights Archway
Northern lights in an archway of black spruces.

Northern lights archway Aurora Borealis Panorama Alaska, Aurora Borealis Spruce, Northern Lights, Black Spruce Aurora Borealis Alaska Fairbanks Winter Snow Northern Lights Black Spruce Alaska Aurora Borealis and black spruces Northern Lights, Black Spruces, Bog

 

Autumnal Aurora

I jumped when my alarm went off at 11:30 PM, and I looked at my surroundings to remind myself where I was. The sleeping bag wrapped around me and my reclined seat reinforced I was in my truck as my blurry eyes brought the steering wheel in focus. My memories flooded back to me; I arrived 30 minutes ago, and with no aurora in sight had set an alarm and took a nap. I was expectant that a G2 storm forecast was going to pay out, and as I peered out of trucks window it seemed I was in luck. The aurora was starting to show a band high in the sky. I turned the ignition, and drove down the road to find the “perfect”, golden tree – my goal for the night was to fuse autumn colors and the aurora together.

I stood on the road with my head craned up, watching a beautiful, green aurora band overhead. This aurora was  Mr. Jekyll which soon morphed into Mr. Hyde – albeit a beautiful version of him.  I was not ready for the full force of the aurora as it transformed the sky into a green and pink blanket of shimmering, dancing lights so different than what I had been looking at minutes earlier.  The energy that rolled overhead, I learned later, was the result of a monstrous, KP7 event, that pushed the aurora into Washington and the Midwest.  I was so overwhelmed by the aurora that I expressed myself by simultaneously singing, praying, and taking pictures by myself under the vast display of lights. For those who know me, you might guess that I was also grinning broadly from ear-to-ear. My smile would not have disappointed you!

For parts of the night, my only focus was to capture the overhead aurora corona to the best of my ability. The last time I successfully captured the corona was in Denali National Park last year. I couldn’t be more happy to show you this gallery of images from last night  – there were many more taken! The gallery is chronological, and hopefully gives a sense of the scale of the aurora and how quickly it built. These images are taken at 9mm, and hence have a ~120 degree field of view!

I am continuing to boost my online portfolio, so please stop by if you have a moment! A selection of these images has been added to my Fine Arts America Photo Gallery for purchase. Thank-you for your consideration!

Fine Arts America Photo Gallery